The Chinese Boxer
 
                                                
Director: Jimmy Wang-yu
Year:  1970
Rating: 7.0

When he directed his first film, Jimmy Wang-yu was already a huge star in Asia for his bloody mass killing films like The One-Armed Swordsmen, Golden Swallow and other Wuxia films for the Shaw Brothers. But this film started a kung-fu craze in Hong Kong with people lining up to learn martial arts. Wuxia was fantasy and swords were not something you could carry around, but The Chinese Boxer was all about kung-fu, fighting with your hands. Those you could carry around. Deadly weapons with the right training. All the experts credit this film for being the first pure kung fu film and I don't know enough to dispute that. There is a section in which swords are utilized when he comes upon a bunch of samurai, but otherwise all the killing is done without weapons. Hands, feet and fingers.



It is interesting that it was Wang-yu who was first to do this. He certainly had martial arts training, but he is not the most graceful or quick of fighters. His sword slicing skills are much more convincing. In future kung-fu films, his style was to be called Bashing. A lot of swinging of arms. In the finale of this film, Wang-yu takes on the three main villains. Japanese karate killers. The choreography from the legendary Tong Kai almost looks like it is in slow-motion. One suspects this was necessary for Wang-yu to keep up since those three actors were to look much more impressive in later films. In fact, within a few short years as the kung-fu film was to overshadow the wuxia, the choreography was to become much faster, more acrobatic, develop many styles and be much more intricate. This film did so well at the box-office that Wang-yu and his enormous ego broke his contract with Shaw to go independent.



Many of the themes of the film are no different than those of many wuxia films. Your Master is murdered and you have to get revenge. After more training. Wang-yu is a student of Master Li (Fang Mian), a traditional martial arts practitioner. He tells his students that kung-fu is to train ourselves and build our bodies to enable us to contribute to society. Only be offensive if absolutely necessary. When a troublemaker, Diao (Chao Hsiung) shows up he challenges a number of the students and beats them up. Then the Master cleans his clock with one good kick to the stomach. Diao swears that he will be back. With karate masters from Japan. Wang-yu asks the Master what can defeat karate. "Iron palm and light leaping technique", he responds. Unfortunately, he does not teach them that.



Diao returns with three of them. All looking meaner and more ferocious than a starving pit bull. Led by Lo Lieh with Chan Sing and Wang Chung. When someone in an inn calls them weird, Lo Lieh goes nuts and destroys the table and jumps through the ceiling. These guys mean business and go to the school and in minutes kill the Master and most of the students. Wang-yu is knocked out early and into a coma. He wakes up days later in the care of the Master's daughter (Wang Ping) who gives him the bad news.  He of course swears revenge, but first I will learn iron palm and light leaping technique. Easy enough. Tie weights to your ankles and jump. Iron palm is simple too, but I would not recommend you try it at home. Get a cauldron, sand pellets and put a fire under it and then punch it till your hands burn.




Thankfully, the film doesn't spend a lot of time on this phase. Within a few screen minutes, he is ready to kill them. All. Beginning with the loads of lowly minions and working his way up. That is tradition. Wang-yu does not spare the blood and it gets satisfyingly brutal. He also realized that killing Japanese in his films was quite popular with Chinese audiences. Something Bruce Lee was to continue. No doubt, Wang-yu had the help of the many skilled staff at Shaw, but this is a well-directed film beginning with those shots of the small villages, the boys in the alley kicking the ball and the feet moving through them. A sense of dread leaks into the picture. I would only criticize the gambling/rape scene - it wasn't necessary as we already knew the bad guys were scum - but otherwise he slowly builds it to a good climax.