The Lost Kung Fu Secrets
Director: Law Chi
Year: 1979
Rating: 5.0
This low
budget Taiwanese martial arts film has a number of big names in the cast,
but a plodding plot and dreadfully dull dubbing really hurt it. It almost
feels sad to see these actors in this film so few years from their glory
days, but you have to make a living. Hsu Feng, a favorite of King Hu, gets
into a lot of action which is great to see and then there are the exiles
from the Shaw Brothers - David Chiang, Wang Hsieh and seductress Hu Chin.
And finally there is Paul Chun Pui who became a popular character actor in
tons of films in the 1980s and 90s. He is also the real life brother of Chiang
and they have a duel to the death in the film.
So that is all good and there is one action
set piece after another. They are fun but the choreography isn't very inventive
and just feels predictable and formalized. Slower than we are used to and
feels too practiced. A beat or two off with guys avoiding blows with jumps
or tumbles before the blow. And clearly missing at times. It is quantity
vs quality. But for me, a pleasure seeing Chiang and Hsu Feng squarely in
the middle of everything. I have come across a few other non-King Hu films
in which she has a flower vase role.
A Christian sect led by Paul Chun Pui is
trying to take over China, but the Imperial army led by Wang Hsieh is getting
the upper hand. Wang's bodyguard Chiang warns him that his second-in-command
Tsai Hung is a traitor, but Wang refuses to believe this. Instead, he walks
into a trap with his wife and daughter (Hsu Feng). Tsai attacks them, but
Wang is able to escape along with Chiang and Hsu (the mother kills herself
in order not to slow them down). Chiang and Hsu go off in one direction and
the rest of the film is them trying to escape one trap after another. Some
are fun such as the female assassin group headed by Hu Chin armed with metal
frisbees or the final fight between Chiang and a spiked armored Tsai while
Hsu Feng dodges fireballs and kills her attackers. But overall, the lack
of imagination and a low budget makes this at best middling. Directed by
Law Chi.