Song of the Assassins

                                                   

Director: Daniel Lee
Year: 2022
Rating: 7.5

Aka - Code of the Assassins

To some degree, this film is why I have some hesitation in watching modern wuxia produced in China. They are overflowing with CGI like a Halloween bag with candy at the end of a night of trick or treating. The saturation of it can be overwhelming even though done quite professionally. They also tend to lack much personality and take themselves much too seriously. Yet they can also be spectacular and epic unlike few film industries can be anymore. I am never entirely sure what is CGI with Mainland films because they can still afford to have hundreds of extras and build lavish elaborate sets. This film contains all of that - the good and the bad - but it is astonishingly cinematic with a few action set-pieces that will curl your toes and the decor and sets are stunning and creative.



In many ways it is a traditional period wuxia with a wonderfully complicated twisty plot of palace intrigue, betrayals, conspiracies and outsized ambitions - but then it introduces aspects that are close to steampunk designs, in particular in the final fight. It is directed by Hong Konger Daniel Lee who has some fine films on his resume - What Price Survival, 14 Blades, Black Mask - and a few that get few shout-outs. He likes to bring in a few Hong Kong veterans and here he has Kenneth Tsang, Ray Lui, Norman Tsui and Yuen Cheung-yan. The rest of the cast are mainly Mainlanders though and the film was shot in Mandarin. Tsang and Tsui sadly passed away since this film. Two of the great ones. 



It takes a while before you have any clue what is going on as it brings in numerous characters and sub-plots faster than a speeding bullet. The general setting though is that there are two rival Kingdoms - South Pagoda headed by Meng Xu (Ray Lui still looking amazingly young) and his concubine Lady Fleur (Ma Xiao-qian). And the East Mulberry Kingdom ruled by Lord Chai Sheng (Kenneth Tsang) with his brother Prince Rui and his General Zhao Cheung (Jack Kao from Taiwan). In the middle of these two Kingdoms sits Ghost Valley - an army of assassins run by Golden Mask - their mission is to try and bring peace to the land by selected killings. Blue Asura is one of the top four assassins - played by William Feng Shaofeng - he lost an arm years before to his lover - and had it replaced by a mechanical arm that Q would be envious of. It has loads of secret weapons and contraptions built into it. He joined Ghost Valley as a boy for one reason - revenge. His father hammered out a map to buried treasure on the orders of an unknown person - and then this person killed the father and the entire clan. The map went missing for years, but now has shown up with the Governor of a small province. And everybody wants it.


From this situation it explodes into multiple action sequences, murders and conspiracy built on top of conspiracy. Blue Asura finds a woman Shengsheng (Gina Jin Chen) right after she has assassinated a man with the old hairpin trick. Right into his head. She too is from Ghost Valley but who sent her. Other assassins show up but who sent them. Blue Asura tries to figure out who is behind all this - but as long as they keep having fight after fight, we don't really care. He teams up with the lovely Shengsheng and gives her a kiss and all I could think of was that the last guy she kissed ended up dead. She is also a master of the mask technique being able to impersonate anyone. Handy, if she isn't trying to kill you because basically everyone is trying to kill someone.



The film has some nice twists and turns and surprises, but it is the wonderfully inventive action choreography that you will carry home. Tsui, Kao, Lui and Yuen all get their moment to shine in an action scene along with others that have names like Mountain Ghost, Music Assassin and White Judge. Not to leave out the white Four Warriors from the West who are built like John Bunyan and carry enormous clubs. But like so many of these Mainland wuxia films it has no emotional ballast - there is no beating heart - but it sure is pretty to watch.