Skinny Tiger, Fatty Dragon

                                          

Director: Lau Kar-wing
Year: 1990
Rating: 7.5
It doesn't take a genius to figure out who will be playing Fatty Dragon. Sammo Hung of course. Called Fatty in numerous films and here it is no exaggeration. He looks as wide as a Buick and just as tough. He puts on an amazing show of dexterity, martial arts and slick acrobatic moves with a nod to Bruce Lee at times. This film brings together the talents of Sammo, Karl Maka and Lau Kar-wing to provide an absolutely topnotch kung-fu comedy. These three had worked together in one way or another for years - sometimes with Sammo directing, sometimes Maka and on occasion Lau - and if not that then as action choreographers or actors in each other's film.  They work like a well-run machine knowing the other's skills and what can be done. It is easy to picture them sitting in a room with the credited choreographers - Ridley Tsui and Xiong Xinxin - and figuring out how the action scenes would go down. And no doubt the scene of Sammo dancing in a disco! Even scarier than you can imagine. He gets bonus points for that. Within the first fifteen minutes there are three action set-pieces - all quality ones - and then it slows down - for about five minutes. The only fault one might find with the film is a strange interlude when Maka and Sammo visit Singapore and pick up two women. I think Sammo scored!



The end of the 1980s was a great time for Hong Kong action and for Sammo and Maka in particular. Maka had the enormously popular Aces Go Places franchise going as well as other work for Cinema City - and Sammo was everywhere. The 1980s belonged to Sammo - a flurry of brilliant films - Eastern Condors, The Millionaire's Express, Pedicab Driver, Encounter of the Spooky Kind, the Lucky Stars franchise, the films with Jackie and Yuen Biao - and being behind the Mr. Vampire films and Yes Madam. He along with Tsui Hark seemed to be behind every trend that was taking place. The 1990s were not as kind, but at this point he was in the zone. And he hadn't even married Joyce Godenzi yet.



Sammo and Maka are kind of Yin/Yang cops in this Lau Kar-wing directed film. Maka is the loud-mouth never shut up slick operator while Sammo is shy and inoffensive who would almost disappear if it wasn't for his girth. Maka has a girlfriend - Tall Girl (Wanda Yung) who towers above him and after seven years of living together wants to get married. Sammo asks one sweetie (Ng Ching-ching) for a date and gets one - to her wedding. Neither one believes in the police code of conduct and their supervisor (Wu Fung) covers for them. Beating up suspects and breaking into houses is par for the course. But they are funny about it so the viewer don't really mind. Sure, police brutality but with a laugh. There is a fair amount of comedy strewn in between and within the action scenes. It is Karl Maka - you would expect nothing less. Not close to sophisticated but not painful.



The two of them are after Prince Tak (Lung Ming-yan) who has his little army of triads. His girl is Lai, played by the always red-lipsticked Carrie Ng. They get a tip from Tai Bo that a drug transaction will be going down at a department store between her and a transvestite. Sammo grabs the real breasts of Lai thinking she is the ladyboy - how you can make that mistake with Carrie Ng is mysterious. She gets rowdy and involved in the fracas, giving as good as she gets. She has a brutal action scene later on. The top Boss (Lau Kar-wing) brings in some imported killers - two lady boys from Thailand (Sammo had fought six of them in Twinkle Twinkle Lucky Stars) that Sammo takes on and two killers (Mark Houghton and Max Gusinzky) take on Maka and Tall Girl.



This is just a lot of fun with the corny slapstick comedy not getting in the way though Maka can be tiresome at times and the great action. Sammo is such gangbusters that you can forgive Make for his irritating screen presence. Just as a note - the cherubic actor who plays Sammo's father is Ni Kuang, who wrote hundreds of scripts and novels that so many films were based on. While he lived in China as a young man, he was sentenced to ten-years hard labor for being a counter-revolutionary. He makes a reference to this by telling Sammo that he was sent to a labor camp and says "If you want to be Chinese, don't talk about freedom. If you want to talk about freedom, don't be Chinese".