The Invincible Dragon

                                          

Director: Fruit Chan
Year: 2019
Rating: 4.0
Will the real Fruit Chan please stand up. Who is this imposter taking on his name as the director of this film? Admittedly, I have not been keeping up with much of his work for these past many years but when I was, he was the Boy Genius making some terrific realistic films about Hong Kong's working-class disaffected youth. No one else was making films like Fruit Chan back in 1997 when Made in Hong Kong was released. Small, independent, using location shooting in areas of Hong Kong that were forgotten with a handheld camera and actors that were unknown or not actors at all. The Longest Summer, Little Cheung, Durian Durian and Hollywood Hong Kong soon followed. He was labeled an auteur, not something Hong Kong was known for. Perhaps Wong Kar-wai was the only other one at the time - years past the New Wave back in the early 1980s. Hong Kong film is a highly commercial industry and auteurs are generally not welcome.



But these films did well enough and were popular on the festival circuit. In 2004 he shifted to a more commercial sensibility with the brilliant horror film Dumplings starring Miriam Yeung and Tony Leung Ka-fai. And that was the last of his feature films that I have seen with the exception of a decent segment in Tales from the Dark 1, shot in 2013. So, I was not prepared for this bombastic dreadful pile of idiocy. This is the same guy who directed the near-perfect Little Cheung? Did having to satisfy the money from the Mainland corrupt him?



It begins with promise. A gritty action policier that felt like it was going to be Milkyway influenced. Kowloon (John Zhang Jin) is an undercover cop who is now suspected by the triad gang and being tortured in a bucket of boiling water to confess. His tormentor is played by the always welcome Lam Suet. Kowloon shows him the intricate dragon tattoo on his chest to prove he is not an undercover cop. And tells him a story that when he was a child he played with a giant dragon in the water one day. Suet shows him a few small cartoon dragons that he has tattoos of and Kowloon scoffs. Then police sirens are heard and the gang has to get away but not before Kowloon escapes from the bucket and in a swirl of violence kills them all except for Suet. Suet runs through the kitchen of a restaurant into a ball room where a large dinner is being held. With Kowloon chasing him and running across tables - finally he catches him - pins him down and takes out his gun and shoots him multiple times with Suet's decapitated hand landing on someone's table. This does not go over well in front of some of the elite in Hong Kong and he is transferred to rural backwater where nothing happens and where careers go to die.



And then a second body of a policewoman is dragged out of the water.  The other a few months previously. A serial killer of policewomen. And Kowloon is given a month to solve it by his superiors. This is about 30-minutes into the film and I am all in. I get prepared for a tense hold on to your popcorn rip roaring action film. But Fruit Chan drives the train right off the tracks into a chemical toxic dump at this point and it just gets worse as it goes along till an ending that is so stupid it should be in the Hall of Fame of misbegotten endings. Beyond belief stupid. You may want to watch it just as a cinematic lesson in what not to do with a film.  Kowloon has a girlfriend (Stephy Tang) who just happens to be a policewoman. Three guesses what happens to her. Tormented that he could not solve the killings, Kowloon quits, grows a beard and becomes a cage fighter allowing himself to be beat up.



A female psychiatrist (Annie Liu) tries to help him in Macau where another killing of a policewoman has taken place. Some nice location shooting there.  Ok, maybe Fruit Chan will get the film back on track now but no he decides that what the film doesn't have is some horrific CGI action and piles it on like sweets at a birthday party. This hasn't ended Chan's career thankfully - who knows, maybe it was a hit in mental institutions but he has made two films since. Appearing also are Richard Ng as the father of the psychiatrist, Loletta Lee as a policewoman, Anderson Silva as a cage fighter, Marsha Yuen as Silva's girlfriend and a very large cast.