Koma
Director: Lo Chi-leung
Year: 2004
Rating: 7.0
A strangely
unsettling film from director Lo Chi-leung and starring two of the biggest
young actresses on the scene at the turn of the century. Lo had a fine little
run going on at the time - Viva Erotica, Double Tap and Inner Senses leading
up to this film. The two actresses are Karena Lam (July Rhapsody, Inner Senses,
Floating Landscape) and Angelica Lee Sin-je (Princess D, The Eye, 20:30:40)
and they go head to head like rams with their horns locked. Inner Senses
and The Eye were perhaps the two best Hong Kong horror films at the time,
so it feels only right that they are put together. It is very nicely shot
and builds up slowly and down crooked crisscrossing paths to a great final
fifteen minutes that is almost a homage to The Shining. Nothing much more
scary than a person chasing someone with an axe. Other than waking up to
find your kidney removed. The film is not always smart or sensible
but it grabs your attention from the beginning.
Two of Angelica's (Fung Chi-ching) friends
are getting married and she is getting drunk. She gets the bouquet and is
all happiness. She follows her friends to their hotel room and immediately
throws up. She then leaves and stumbles into an unlocked room where a woman
is writhing on the floor after having her kidney removed. Blood is the color
of the day. Angelica runs screaming and sees Karena walking down a hallway.
We had seen her earlier looking upon the wedding with pure unveiled hate.
But for who? Angelica identifies Karena to the police on a video and the
head games begin. Turns out she has slept with Angelica's boyfriend (Andy
Hui) and he mumbles "Just once". Well, not exactly. Karena seems psychotic
at times - threatening to take out Angelica's kidney with night time calls
and sneaking into her house - but then she can be a good friend as well and
saves her at one point. Angelica is fragile like porcelain, spoiled by her
wealthy family. Karena is steely-eyed and remorseless and has nothing but
grit and desire.
They become buddies, spiritual sisters -
and the removal of kidney's goes on. The audience sees who it is drugging
and kidnapping the woman - sweet looking Raymond Wong. It is hard to figure
out where the film will go though you have an ugly feeling down deep that
it won't be good. No home sweet home. Then the director takes the gloves
off and it gets to be good fun as the axe is slowly dragged along the floor.
Some good talent around the film. There isn't that much action but it is
choreographed by Stephen Tung-wai, produced by Lawrence Cheng and the script
comes from Susan Chan who has some fine credits to her name - Big Bullet,
Nude Fear, Tokyo Raiders, Summer Holiday, Simple Life and many more.