Love and Sword
 
 

Director:  Yu Kan-ping
Year: 1979
Rating: 6.0


Aka - The Samurai
Two things I don't like to see in martial arts films are children and action in the nighttime. This film has both. A really annoying boy who cries a lot and a number of the action scenes take place in the dark of night. In the theater the night scenes were probably fine but on video they are very murky and at times you can barely see anything. This is a solid martial arts film from Taiwan with a good balance of sword fighting and kung fu. And there is a lot of it and the choreography from Pan Yao-kun is fast and intricate. Some of the sword fights go on for a long time and never slow down. Some of his other work was for the Shaw Brothers and A Touch of Zen for King Hu. The plot feels very standard until the ending which throws you for a loop and makes the whole film more substantial. It stars Tien Peng who was in a lot of these wuxia styled films from Taiwan and though extremely stoic and emotionless, he cuts a good figure as the hero dressed in white. In many Western releases he was called Tien Roc.






It begins with a massacre. A group of killers in masks sneak into the Meng family home and kill nearly everyone in their sleep. In the darkness the only thing that you can see well is the blood splattered against the windows. Only the blind daughter Yueh Hsin (Tang Pao-yun) survives. Hsiao Fang (Tien Peng) finds her among the dead and takes her out and quickly falls in love with her. He swears revenge on all the killers of her family. The main villain places a bounty on Hsiao's head and so the action plays out on two levels. Him tracking down the killers and doing away with them while trying to find out who hired them - and various professional killers trying to get the bounty by killing him.






Between the two there is a lot of action. Some of it fairly good, some of it I could barely see! The main issue is a lack of variety - nearly all the fights are one against one and I started losing track of who was who. I also have my doubts about one of the killing techniques  -something we see in many martial arts films. Hsiao jumps on to his opponent and then soars high into the air - flips around as he comes down and with his sword thrust in front of him kills his opponent on the way down. Why wouldn't the opponent just move off a ways? Based on the writing of Gu Long and directed by Yu Kan-ping.