The Eye 10
The Pang Brothers return once again to their biggest
commercial success – The Eye series has now reached the third one and you
have to wonder if this will go the way of the Troublesome Night series
with a slow but steady decline in quality to the point of never-ending
oblivion. The first two were fairly serious horror films that hit
a lot of good notes, but for this film the Pang’s seemed to be in a jovial
mood and aren’t taking much of this seriously at all. In fact, they seem
to be almost making fun of both the seeing dead people genre as well as
their two previous films. It is so silly at times that it is impossible
to approach this as a horror film – so I didn’t. Instead it’s more in the
tradition of the pre-Ring Hong Kong horror films in which the horror aspects
were often overwhelmed by the goofy humor. For the most part the
success of The Ring forced Hong Kong directors to toss the humor out and
get in line with the approach that most of the rest of the world takes
to horror – deadly serious. Here though the Pang’s are almost saying enough
– let’s just be silly. At the end they appear to try to bring in a bit
of pathos to the proceedings but by then it is far too late.
Four young Hong Kong adults visit their friend
in Thailand - rarely a wise idea in Hong Kong movies – I wonder if tourist
brochures advertise “Go to Thailand: Be Cursed and Die!” – but clearly
these youngsters haven’t watched enough older movies like “The Eternal
Evil of Asia” because they intentionally go looking for trouble and find
it. After filming a dead body on the ground from a car accident (perhaps
a reference to both “Leave Me Alone” and "Ab-Normal Beauty” from the Pang's)
and telling each other a few scary stories, their Thai friend Chongkwai
(Ray McDonald – “Fun Bar Karaoke”) tells them of a book he bought – “10
Encounters” – that gives 10 friendly hints on how to see the dead – sort
of a “Seeing Dead People for Dummies”. I will be relaying a few of
these in this review, but please don’t try them at home – I did – and now
I have a new friend who likes to sit on my shoulders and my back is starting
to hurt. The 10 Encounters is of course the reasoning behind the title
of the film, but no doubt this will confuse future generations of Hong
Kong film fans asking where they can find 3-9.
But kids will be kids and they are very excited
about seeing ghosts – certainly more fun than Thai television. The four
friends from Hong Kong are April (Isabella Leong) who is involved with
Gofei (Chris Gu) and two cousins – Ted (Chan Po Lin) and May (Kate Yeung
– “20:30:40”). They all gather around a Ouija board but no one notices
the ghost that joins them so they go on to the next method – leaving food
at a street intersection late at night and tapping on the food bowls with
chopsticks. This one works all too well and they see more ghosts than they
want to and run away in terror – except for May who wasn’t able to – so
she demands they try once again. This time it's playing Hide and Seek at
midnight while carrying a black cat. And tragedy strikes.
Gofei disappears during the game and April begins
to fall apart when they can't locate him. The two cousins make a quick
cowardly exit back to Hong Kong but now they seem to have ghosts all around
them. This leads to one of the funnier scenes in the film in which Ted
is possessed and gets into a break dancing contest with two onlookers.
Finally though they realize that they have to go back to Thailand to save
their friends by entering the limbo world of death. The film makes a few
references to the two previous films – a quick flash of Angelica Lee and
Hsu Chi and also two playful jabs at the films – they come across a boy
on the staircase looking for his report card (Eye 1) and one of them drops
change at the bus stop (Eye 2). There is also a pointless side story that
appears to have no reason except to get the popular and beautiful Thai
actress Bongkot Kongmalai (Bang Rajan, Kunpan) into a few scenes for marketing
reasons (a shame since she is my favorite Thai actress).
If you go in not expecting a horror film, this
is certainly passable entertainment – amusing at times, a few decent eerie
moments (the opening Buddhist exorcism scene was quite good I thought),
some clever ideas and some young attractive if not particularly talented
actors. One just expects more from a Pang film but they seem to be taking
this one as a bit of a lark.
My rating for this film: 6.0