Women on the Run
Director: David Lai/Corey Yuen
Year: 1993
Rating: 6.5
For those who enjoy
that genre of film that could be titled “Men are Scum” should take pleasure
in this one as there isn’t a man worth a plugged nickel in sight. On the
other hand fans of trash cinema will find many delights within as well –
I know I did. Seeing this 1993 minor exploitation classic twelve years later
was a needed reminder of how much fun Hong Kong film was when it was out
of control and feared nothing. This was the film industry that churned out
these kinds of sleazy gems without batting an eye, but they either have forgotten
the art of trash or are afraid to put their foot in it. The last good one
that comes to mind was “Naked Poison” from 2000. Where has all the good exploitation
gone? This one is a nice trip down memory lane in which the filmmakers happily
give us all the tasty ingredients one could ever want with kung fu nude fighting,
drug addiction, police brutality, a man getting his penis shot off, a gang
rape and some pretty solid action.
As a director, Corey Yuen is associated with a few classic female bonding
action films like Michelle Yeoh and Cynthia Rothrock in “Yes Madam”, Joyce
Godenzi and Carina Lau in “She Shoots Straight” and Hsu Chi, Karen Mok and
Vicky Zhao in “So Close”, but this one came as a surprise with its unsavory
aspects and crotch shots. Maybe he just needed to get it out of his system.
Like these other films just mentioned it too takes as its premise two women
who have to bond together to survive and to kick some male ass – they are
just a bit hornier than his usual characters. If Yuen had put Michelle and
Cynthia on scaffolding in order to shot from below them, my guess is he would
have needed reconstructive surgery, but the two actresses on display here
have no issue with it apparently because they do it on two different occasions!
S
iu Yin (Tamara Guo) grows up in rural China dreaming of being the next Bruce
Lee or Jet Li and when she wins a martial arts contest she thinks that it's
only a matter of getting to Hong Kong to make her dreams come true. Instead,
her boyfriend takes her to the big city of Guangdong and turns her into a
moneymaking machine on her back and gives her a heroin habit to keep her
in line. She puts up with this for a while until one customer urinates into
her championship cup and she bounds out of bed in the nude and gives him
a walloping roundhouse kick that sends him crashing through the door. Her
boyfriend being the consummate businessman that he is isn’t pleased. Soon
though she spots him wooing another girl and drives his head through a nail.
He is still not pleased and very dead. She escapes to Hong Kong, but it isn’t
show business waiting for her but more customers lined up down the hall.
When her little den of sin is raided by the cops she gets away by climbing
up scaffolding and just waits there for them to go away, but instead they
send a female cop, Ah Hung (Farini Cheung Yui-ling in her debut film while
part of the musical group Ascension) to bring her down. The two get into
a fracas – the camera leering upwards like high school peeping tom – before
they both fall to earth – unhurt of course.
The two are brought together again when Ah Hung’s cop boyfriend David persuades
her to go undercover in China to track down the drug dealer King Kong (Korean
kicker supreme Kim Wong-jin) and to take Siu Yin with her. The real deal
though is that the boyfriend is corrupt and in cahoots with King Kong and
they are just setting the two women up to take the fall if need be. This
doesn’t come as much of a surprise after seeing David suck on her knee like
a ripe peach – you just can’t trust knee suckers. The pair makes their way
into China and knock around a bunch of guys in a well-choreographed scene
by Yuen Tak. In particular, Tamara looks extremely able in her martial arts
moves and this makes her willingness to disrobe all the more peculiar. They
hook up with King Kong but things start going askew when they are met at
the Hong Kong airport by rival cop Corey Yuen and somehow they manage to
board a plane to Canada – airport security not being what it is now back
in 1993. In Canada the girls run into more problems – they get arrested for
drug smuggling, beaten by the cops, almost killed by a band of assassins
and then gang raped by no doubt hockey fans – all in one day. Welcome to
Canada. They find there way somehow back to Hong Kong – resourceful as they
are – with only one thing on their minds – to even the score.
The acting here isn’t very good, there are some absurd plot holes that are
just papered over and the film has a dirty old man sensibility to it that
can be a bit cringe worthy at times, but this is just good old fashioned
trashy fun in a way that seems to be a thing of the past. By the way, I can
only find credits for Tamara for two other films – a low-budget Filipino
production called “Techno Warriors” (1997) and “Ghost Promise” (2000) – and
would be curious as to what else she has been up to if anyone knows.