Protégé De
La Rose Noire
Reviewed by YTSL
When I looked at the females involved in making
this 2004 installment of the “Hak Mui Gwai” story which has the super heroine
and her protégés battling against the evil Poison Ivy and her
Ivy League, my expectations rose pretty high. After all, its co-helmer
Barbara Wong Chun-Chun’s two previous directorial offerings (“Women’s Private
Parts” and “Truth or Dare: 6th Floor Rear Flat”) have been commendably creative
as well as entertaining. Additionally, Teresa Mo -- who has the Black
Rose role in this comedy -- is an established comic actress I was glad to
see return from self-imposed exile in Canada four years ago. And then
there are the Twins: a pair of actually biologically unrelated individuals
who both are more than capable of being little rays of sunshine in films
that might have been dreary if not for their presence (cf. “The Twins Effect”
and also “Summer Breeze of Love”).
Admittedly though, two of the main men associated with PROTÉGÉ
DE LA ROSE NOIRE didn’t inspire comparable confidence and enthusiasm on my
part. Alternatively, I do believe that Ekin Cheng does tend to get
an overly disproportionate amount of barbs from (overseas) Hong Kong movie
fans; and especially in view of the singer-actor having rather admirably
attempted to widen his range in recent years by appearing in comedies rather
than sticking to crime -- and more specifically, triad -- dramas. As
for the other favorite “hate figure” that is this effort’s action director:
Well, I had liked “The Twins Effect”, and Donnie Yen did action direct it,
didn’t he? Besides, I must admit to having trusted that Barbara Wong
(whose 2003 work has gotten her a HKFA Best New/Young Director nomination)
would get more say behind the cameras than the Yen man the way that I knew
that Charlene Choi and Gillian Chung -- even if not Teresa Mo -- would get
more screen time than Ekin.
When I saw the opening credits for PROTÉGÉ DE LA ROSE NOIRE
however, my heart sank somewhat. For there, amidst the cute images
that appeared in the movie’s introductory segment, was the announcement that
Donnie Yen was the senior director on board the production. Also, as
the work progressed, further confirmation of this fact came along in the
form of its having well choreographed action scenes -- some of which feature
Mr. Yen’s film debut-making younger sister, Chris (as a character obviously
inspired by Chiaki Kuriyama’s “Kill Bill” appearance) -- that couldn’t help
but steal the show from its often quite lame comedy segments, and seemingly
at the expense of plot continuity.
While great action is a good thing, the fact of the matter is that its very
existence cannot save a film if it is supposed to be primarily a comedy.
And lest there be any doubt, PROTÉGÉ DE LA ROSE NOIRE -- an
effort which has Charlene Choi playing a character who might or might not
be an alien (from outer space, as opposed to, say, Mainland China), Gillian
Chung as a young woman who gets all violent when hearing her full name getting
uttered, and Ekin Cheng as a chatty taxi driver named Lo Tai (which, when
inverted, becomes Tai Lo...) who gets sucked into the Twins’ adventures that
began with their answering a mysterious job ad that turns out to have been
created by the Black Rose -- is supposed to be a comic offering. Accordingly,
much of it -- including a scene where the off-the-rocker Black Rose forces
Lo Tai to painfully pick roses that were stuck to their thorn-encrusted stems
for her with his mouth -- clearly is devoted to trying to elicit laughs,
chuckles and such like from its audience.
But, of course, whether PROTÉGÉ DE LA ROSE NOIRE’s attempts
at comedy were successful is another matter altogether. And much as
I would have liked for it to have been otherwise, my feeling is that most
of them fell terribly flat. To add insult to injury, even those that
got me chortling were ones that came across as silly as well as mere single
note sight gags (like Ekin dressed up to look like Batman’s Robin and Teresa
Mo’s long hair showing the effects of her having been hanged upside down
for a time) rather than instances that were funny in a way that smacks of
true comic genius. To sum it up then: What a disappointing movie this
turned out to be; and so much so that if the personalities who headlined
it are not going to lose their fans, their next work really ought to be far
better than this.
My rating for the film: 4.