Heroes of the East 
 

Director: Lau Kar-leung
Year: 1978
Rating: 7.5

Resembling a kung fu couple out of Who’s Afraid of Virginia Woolfe, this unhappily married duo are out for each others blood. Of course, while the English couple from the Albee play limited their attacks to verbal stabs in the back, this couple doesn’t hesitate to use swords, knives, spears, stars and darts to get the better of one another. This is marriage as a contact sport – where the chop sticks at dinner time are as likely to be used as deadly throwing instruments as eating utensils. This exploration of marriage and culture clashes is all quite fun though and this 1978 film directed by Lau Kar Leung (aka Liu Chia Liang) and starring his favorite actor (Gordon) Liu Chia Hui is considered a classic for good reasons.
 

Unlike many of the films produced by the Shaw Brothers in which Lau had a hand in as either director or choreographer, this film has no big glorious heart beating action scenes full of death and mayhem. Instead it is in many ways a very polite film – everyone generally follows the rules of honor and decorum – and no one is badly hurt with the exception of their pride. Every fight is a simple one on one duel with cheap looking sets in the background – but within this set up there is an astonishing variety and some incredibly enjoyable choreography. It has a purist feel to it. In particular this is a fabulous showcase for Liu Chia Hui who is given the opportunity to show his skills with a host of weapons from sword to spear to knives to staff to the three section staff. It is a remarkable individual performance and he overlays these physical skills with a charming and pleasant acting performance as well.
 

As the film begins, his father announces to him that his Japanese bride has arrived and Liu Chia Hui grumbles over this arranged marriage until he sees his lovely wife (Mizuno Yoko) demurely smiling at him in her kimono. All seems heavenly between this cross-cultural couple until she starts breaking nearly everything in the house while practicing different forms of Japanese martial arts. He patiently puts up with this bit of home wreckage and counts up the cost, but when she starts clearing out his Chinese weapons to make room for her own and then makes pronouncements on the superiority of Japanese weaponry and their martial arts, it is more than he can take. His challenge to show her the superiority of Chinese martial arts is accepted and the marriage soon turns into an on going rumble – even to having her outfit herself as a Ninja and attacking him with stealth and darts.
 

She soon runs home to Japan and cries on the handsome shoulder of her instructor, Yasuaki Kurata, but her husband is intent on having her back – because when she wasn’t trying to maim him for life she was rather fun – quite cute (especially in her ninja outfit) - and had a habit of accidentally letting her judo robe fall open. So he writes her a letter that knocks her style of fighting thinking it will bring her back but instead it falls into the hands of Yasuaki and he sees it as an insult to Japan – this being the 1920s or 30’s and Japan’s period of militarism. So he decides to bring over a group of Japanese martial artists to teach this upstart Chinese fellow a lesson or two.
 

The Japanese all have specialized fighting skills and challenge Liu to individual one a day contests  - all leading to one excellent fight after another – all quite civilized of course – but leaving no doubt as to which country has the superior fighting skills. The final one in particular against ninja Yasuaki is excellent. As his estranged wife witnesses one bout after another she gets weak in the knees and is soon falling into her more traditional wifely role. It’s a terrific film that certainly shows it’s nationalistic side – but is still fairly gentle in nature and contains some lovely intricate choreography. Appearing also are Simon Yuen as Liu’s sifu, Lau Kar Leung in a cameo as the tramp that Liu learns drunken kung fu from and Norman Tsui as Liu’s friend.