Seoul Raiders (Hancheng Gonglue)
Reviewed by Lee Alon
Five years were enough for NASA to more than tweak
some of its advanced aerospace projects in the past, but short of a sufficient
interlude for Jingle Ma and his cohorts to craft a respectable actioner.
Why they presumed to see a need for following up on the ho-hum Tokyo Raiders
beats us, but at least that 2000 release, now seen through the rosy haze
of nostalgia, contained appearances by rising stars who've made it to the
lofty heights of pop success in our current epoch. Indeed, half a decade
ago not only was the IT market full of bristling optimism, but likewise were
Ekin Cheng, Cecilia Cheung and Kelly Chen still busy rising to stardom that
we later came to take for granted. Ah, the memories. However, such fond recollections
can't mask cinematic mediocrity (one avoids using terms like "crud" in polite
society) when it unveils itself, and with Seoul Raiders we marked one of
the most redundant, uninvited extensions of a movie license in recent recorded
history. Sure, perhaps for old time's sake it was worth churning out another
go at Ma's brainchild crowd displeaser, yet bereft of the original cast's
hallowed, electrifying power, subsequent entry Seoul Raiders results in even
more of a tepid mixture than henceforth believed possible.
Only Tony Leung returned after all those intervening years, once again doing
Lin (known in the HK version subtitles as Lam), an international jet setting
police super agent and impressive wooer of womenfolk. After disarming some
major troubles in Tokyo, Lin came back to handle a crisis in, you guessed
it, Seoul, capital of South Korea and unfortunate host to this debacle. Why
Leung agreed to appear in this disgrace defies logic. The man clearly established
himself as a talented powerhouse over the years, and to see him defile a
quality background by fooling around with Jingle Ma's rudimentary excuse
for an action comedy really ticks one off.
At any rate, the next question which begged asking was how did the Raiders
circus end up in Korea? Well, to account for that you must look at good old
Richie Ren, singer, actor, and overall plausible guy given a decent script.
Of course, here he had no chance to reprise relative successes as seen in
“Honesty” and “Fly Me to Polaris”. Instead, Ren was entrusted with depicting
Owen, a treacherous country-hopping criminal, CIA mole and master of disguise
who absconded with priceless plates capable of spawning immaculate fake US
currency, thus potentially plunging the global economy into mires even worse
than having to watch 95 minutes of HK-originated tripe.
Hot on his trail, both Lin and hottie cat burglar JJ, done by a startlingly
under-the-weather-looking Shu Qi, land in Seoul. There they proceed to track
Owen, engaging in some of the feeblest excuses for fighting and chase sequences
we've had to suffer through in quite a while. Seoul Raiders used relatively
copious amounts of action, throwing a nefarious Korean-Chinese crime syndicate
into the mix for good measure, yet none of it was any good, and some was
downright embarrassing, like an opening scene showing JJ and Lin fending
off gangs of hoodlums while playing catch with the valuable plates. A movie
buff couldn't help but root for the baddies and hope they'd make with the
firearms rather than fists.
On the film's only coherent upside, Lin once again enlisted a retinue of
local babes to aid in securing world peace. The girls come replete with semi-believable
martial arts proficiency, knee-high vinyl boots and revealing attire. They
all oddly speak Chinese, and must give off a rank aroma, for we noted nary
a rare change of clothes. Similarly, there was some incredulity at witnessing
Seoul practically awash with Chinese characters, a thing we thought went
out when Korea switched to a different alphabet. Either way, the Raiders
outfit seems to be like some sort of twisted Olympics: wherever wins the
bid, you simply don't want to be an accidental tourist.
Aside from all these issues, SR was afflicted with an abysmal story leaving
very little room for maneuvering. You could literally recount the movie's
premise in two or three sentences. Its two primary stars, Leung and Shu Qi,
each failed in deploying their full range here, the former too dapper and
possibly irked at himself for even signing on, the latter pale and all too
minimal of contribution. Basic, unsatisfying fight scenes and poor special
effects basically rendered Seoul Raiders impotent, since with a hobbling
comedy element it had only its action half to fall back on, but that too
soon collapsed. And, in a vein similar to that which is prominent in other
Hong Kong productions, the movie stopped short. It had no true violence (blood-free
carnage? No thank you), and for all his chauvinistic pandering, Lin scored
as much with the girls as this writer did playing Leisure Suit Larry: in
other words, it was all virtual, baby.
Flaccid, forgettable and disappointing were the
leading concepts associated with Seoul Raiders upon sitting down to behold
its celluloid wasteland. Wherever the series Raids next, it better be beyond
roundtrip range.
Rating: 4/10
Directed by Jingle Ma
Starring Tony Leung, Shu Qi, Richie Ren, Cho Han
Na, Choi Yeo Jin
2005, Cantonese/Putonghua/Korean/English, 100 minutes
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