Red Rain
Director: James Yuen
Year: 1999
Rating: 5.5
One of the more interesting
“new” actors in HK these days is Alex Fong. “New” though only in the sense
that over the past couple of years he is finally starting to be appreciated
and recognized for his work. His acting career actually stretches back to
the late 80’s when he appeared in a number of girls with guns films – the
first two Angels films being the most renown. After this he spent a
few years in the purgatory of Cat III films with such films as Pretty Woman
and Escape from Brothel – but then he started coming into his own. Some actors
simply gain a gravity and presence as they mature. Their face takes on character
and they begin to look at ease with themselves. Lau Ching-wan certainly falls
into this category. In his earlier films he doesn’t really stand out at all
– and then suddenly he grew into the ability to fill up a movie screen
- to command the attention of the audience. I don’t think most actors could
even tell you how this happens.
I think Fong is going through this same
process – though he has not yet really had the opportunities that Lau has
had. Having a director such as Johnnie To or John Woo certainly helps boost
one’s career. Still he has shown up in such recent “A” productions as Storm
Riders and Downtown Torpedoes, was terrific as Sandra Ng’s friend in Portland
Street Blues , was the only thing in Cheap Killers that made me at all care
about the outcome and was quite comical as the cheating playboy in Your Place
or Mine. Regretfully there are simply not enough good male roles to go around
these days and for the most part it seems that Lau Ching-wan or Francis Ng
or Anthony Wong get them. This finally gets us to the movie at hand! Fong’s
presence alone manages to make this fairly limp offering somewhat enjoyable.
The film struck me as basically a case of a potentially interesting script
being subverted by dreadful execution on the part of the director. Oddly
enough in this case it is the same person who both wrote and directed the
film – James Yuen. Yuen is of course best known for his wonderful romantic
comedy scripts for UFO such as He’s a Woman, She’s a Man and Wedding Days
– but it is clear that he doesn’t yet have the requisite skills to manage
a dramatic action film. The pacing of the film is all wrong –– the action
sequences are totally unimaginative with no sense of tension being created
and the film goes off into a few minor subplots that add nothing to the story.
Alex Fong and Chan Chi-chung are two cops who have come to Taiwan looking
for someone who stole HK$ 30MM from the evidence locker. If they can’t find
the man and recover the money by Monday (this being Friday I think) a weapons
dealer will have to be set free in HK. They have the assistance of Chan Yiu-fu
an ex-HK cop now working as a gigolo (!) in Taiwan who actually tells much
of the story from his point of view. Their only lead is the daughter (Li
Ting-yee) of the man and in one of those unnecessary subplots – it turns
out that her dead boy friend looked just like Fong’s assistant and a little
romance breaks out in the middle of all this – with musical video type scenes
and all. Yikes - what were they thinking as this brings the film to
a complete halt.
At the same time the weapons dealer is trying to find the girl and the money
– and sends Mark Cheng and his men to accomplish this. These guys have some
comical potential as we first spot them coming out of the airport (in slow
mo – John Woo style) carrying what at first appears to be gun cases – and
later turns out to be a guitar and a tennis racket! Some Taiwanese
triad hears of all this and they too start looking for the money. And lets
not forget the Taiwanese cops who learn of Fong’s activity (killing a few
people will do that) and they start searching for the money!
After a few story twists there is a near Mad Mad Mad World scenario in the
end as all the competing interests converge on the bag of money at the same
time - except instead of carrying shovels they are carrying machine
guns. This scene had potential for an incredibly wild and frantic shoot out
– but Yuen completely botches it as he just has film shots of people getting
hit by gunfire and falling down. But there is no sense of who did it and
even often what group they belonged to. It’s a complete mess without an inkling
of excitement. I was certainly expecting at a minimum a showdown between
Fong and Cheng – two pretty good fighters – but it never materializes.
A lot of wasted opportunities in this film
– but Alex Fong is quite cool – and the very final scene hit a very nice note.