Requital
Director: Kevin Chu Yen-ping
Year: 1992
Rating: 7.5
This film at times
feels like the “evil cousin” to the “Heroic Bloodshed” genre. One can see
similarities at times, but these traits are buried underneath an extremely
unromantic look at the world of triads and the “brotherhood” within it. This
film twists around the notions of loyalty and heroism - loyalty is
a convenience and no one is ultimately heroic. This gritty and very violent
tale of the Taiwanese and Hong Kong underworld was clearly influenced by
both the Hollywood gangster films of the 30’s and the Godfather trilogy.
At times it is a soap opera, at other times a blood fest.
The story of Tung (don’t know this actors
name) is almost told in chapter style – from his boyhood - to his entry into
the triads – to his conflict with his life long friend. What makes the film
different from many such triad movies is that Tung never really becomes much
more than a foot soldier and a killer – yet his sense of honor, pride and
loyalty (within the framework of his concept of “brotherhood”) make him seem
much more. If there is a hero in this film it is Tung – but his dreadful treatment
of the women in his life leave large holes in his character as well. The
director makes it nearly impossible to really like anyone in this film –
everyone has their share of flaws, weaknesses and dishonourable moments –
but the film has such a realistic if brutal bent to it that it is impossible
not to be a bit fascinated by it all. Though I don’t know the names of two
of the three main protagonists, they are all excellent and the supporting
cast is absolutely top notch.
The first chapter in Tung’s life begins with him as a young boy witnessing
Big Belly kill his parents in front of him. He runs away and hides. As he
wanders the streets only a young girl is kind to him – and he ends up stealing
a shoe shine box and going into business. This chapter is all shot in black
and white seemingly as a homage to the old gangster films and it looks fabulous.
I was hoping the entire film would be in this style – it fit the feel of the
film perfectly – but only the first section is shot in this manner. One day,
the head of a triad family (Chin Han) is receiving a shine from him when
a rival gang comes gunning for him. Tung helps him survive and in gratitude,
he is taken into the triad. Sihung Lung (the father in Eat Drink Man Woman)
plays Han’s advisor Uncle Tuan. Still a youngster, Tung soon has the opportunity
to revenge Chin Han and it turns out his parents as well – and he guns down
Big Belly in cold blood. He is sent to jail for many years.
When he gets out, he is in his twenties and his triad family is no more
- Chin Han is dead and Uncle Tuan is a bartender – but Tung teams up with
Chin Han’s son (Jack Gao) and they begin to attempt to rebuild the family
business through bloodletting. They first kill Blackie Ko and others are soon
to follow. The killings are extremely bloody and in your face. After Ko’s
murder, Gao takes Tung to a woman to celebrate both getting out of prison
and killing a man on his first day out. Not just any woman though – he takes
him to Amy Yip for some fun and relaxation. Then I think – wait a second –
he has been in jail since he was a kid – so this guy is starting off with
Amy Yip! Some guys have all the luck.
The Yipster only has about 10-15 minutes of screen time in the film – but
she is surprisingly solid in a tragically dramatic role as a woman very much
in need of love – but always picking the wrong guy. She has a couple very
good scenes and a couple revealing ones.
Tung falls in love with the little girl (all grown up now of course) that
helped him as a young boy – but events (often of his own causing) soon drive
him into another chapter of his life. He flees Taiwan to HK to escape certain
death while Gao goes to the south of Taiwan. In HK Tung joins a Taiwanese
gang – headed by Ko Chuen-hsiang and his son Chang Chung-Yung. They face off
against a Mainland gang headed by Wu Ma and Lo Lieh. Tung becomes the gang
enforcer. The fifth and final chapter has Tung returning to Taiwan to join
up with Gao – only to find Gao now married to his old love. Alan Tang plays
the older rival gang leader.
I really enjoyed this film – it is fairly low budget – very stark – very
violent – very visceral - with none of the bullet ballet or romanticism of
a Woo film – but it’s feel of being so basic felt very refreshing.
I was surprised to find out that the film
was directed by the legendary Taiwanese director Chu Yen Ping - known for
his campy classics such as Fantasy Mission Force and Golden Queen Commandos
- but unlike those films, this one is fairly straight forward and focused.