Yongary, Monster from the Deep
       
                   

Director: Kim Ki-duk
Year: 1967
Rating: 5.5

Country: Korea

In 1962 South Korea had produced their first Kaiju film hoping to cash in on the Godzilla craze out of Japan. Bulgasari was based on a folk-tale (the same one that North Korea was to base Pulgasari on in 1985) in which an iron-eating creature seeks justice. In that case, it was a martial-artist who was executed and came back as Bulgasari. It sounds interesting - a kung fu monster - but we will never know as the prints mysteriously disappeared soon after the bad reviews came out. Perhaps they are in the North Korean print library. Oddly, something similar happened to this Kaiju film. The Korean prints were lost and so the only existing copy is the one that the American International Television company had purchased and dubbed. Check with Kim for the missing print. So, that is what I am reviewing here and I have no idea how much the Korean version differs from this one. Going on what American companies normally did to Japanese Kaiju films it could be deadly, but at least Raymond Burr doesn't show up. It is a co-production of a Korean film company and Toei. Toei provided the special effects. One has to wonder whether the Korean version might have been clearer about whether Yongary is a stand-in for North Korea invading underground.



The film is rather fun though it isn't really good by any means. There are a ton of model buildings and tanks and planes for Yongary to destroy but they look as fake as a Hollywood Botox treatment. The tanks and planes are obvious models and the buildings look like those children toys that allowed you to make buildings. Not nearly as much detail as the Toho models. When Yongary opens his mouth to spit fire, you can see the metal nozzle in the back. Yet, it is still fun watching a guy in a costume knock down bridges, buildings and stomp on tanks. Yongary even dances which has to come from Godzilla in Invasion of Astro-Monster. Clearly throwing shade at his Kaiju neighbor to the South. This is how Korean Kaiju's dance. In truth, better steps than Godzilla. Not really a bad guy, but they have to kill it because we kill anything we don't understand.



Yongary burrows underground towards Seoul creating earthquakes as he goes. The film basically bounces back and forth between the gray suits and military men sitting around a table trying to figure out what to do and shaking their heads a lot - and a family in which the young scientist is trying to come up with something to defeat Yongary. In his tiny lab in his bedroom. There is also a young boy who keeps going out to spy on Yongary and hits him with a light that makes him itch. By the end, believe me you will wish he was stomped on. Why do so many of these Giant Monster films have annoying children in them? The government declares Martial Law, which the people must have been used to by then. At the end, the entire family piles into a helicopter to drop something on Yongary. They are quite cute. The brainy scientist, the boy, a newly married and still likely virginal couple and the girl who loves the scientist who is always too busy for her. The film looks fine - nice use of colors and clean sets - and the end of Yongary is surprisingly poignant. I read that the guy in the suit earned a whole $400 for this. That was a lot of stomping for $400 measly bucks though I would do it for free.