Prisoner Maria - The Movie
Director: Shuji Kataoka
Year: 1995
Production Company: Gaga Communications
Running Time: 73 minutes
Prison work programs are probably a good thing
in general – get the inmates out from behind walls for a while and give
them something useful to do – but in Japan they have a unique work program
for some prisoners with unique skills. Maria Kujo has the required talent
they are looking for – when her husband was killed by a Yakuza she went
looking for payback and got it along with a life sentence. Now the state
owns her and if she wants early parole and a chance to see her little boy
from time to time she has to do their biding. From time to time someone
really bad needs killing – and who better than a prisoner with nothing
to lose and a perfect alibi. So they provide Maria with a car, weapons,
a great wardrobe and point her in the right direction – with threats to
never allow her to see her son if she doesn’t make the kill. It has to
be better recreation than wood shop.
Based on a manga, this is a live action version
done on the cheap for video release. It doesn’t rise above a TV film for
the most part except for the inclusion of some nude scenes - though
oddly only from a few not so attractive actresses while Noriko Aota remains
generally covered even during the mandatory love scene. This is all the
more odd because naked pictures of her are all over the Internet. Apparently,
she is a pop singer who has done a number of picture book layouts – the
only other film credit I could find is Miike’s “Dead or Alive 2”. The picture
quality from the Tokyo Shock DVD is fairly murky, but she still looks quite
appealing even if her acting doesn’t consist of much more than a few basic
expressions. There is nothing in the film as sexy as the cover on the DVD
– if only – also the DVD has a stated running time of 90-minutes while
the film falls much shorter at 73 minutes – not that more padding was really
desired.
The first kill in the movie gives a nice kick
– dressed in a bright red can can dress, Maria dances on stage as entertainment
at a club frequented by sneering guys who have to check their weapons at
the door. As she drapes herself over one particularly snaky looking guy,
she pulls a blade out of her stocking and gives him a permanent necktie
and then has to hightail it out of the club with a blizzard of bullets
headed in her general direction. This doesn’t seem to be the best laid
escape and only the poor shooting of the gang allows her to get away. Her
reward for this – back to her bare cell and nary a word of encouragement
– not even a “nice kill, kid” and a friendly pat on the back. At least
she got to dress nicely for the evening – spiffy dress, high heels and
a flower in her hair. She is fairly particular about looking her best when
she kills – my favorite was the sleek white plastic gown – perfect material
for washing off the blood after she slices another guy up – practical and
sporty.
Her next assignment is a serial killer who enjoys
using an electronic stun girl on women and then taking them back to his
place where he practices his high school dissection classes on them. He
is the son of a powerful politician and she gives them permission to eliminate
him before the police track him down. This case becomes a little more complicated
though when it leads Maria to a creepy psychiatrist who thinks he is God
(are there any other kind) and who is practicing mind control on his patients.
He also has links to a Taiwanese mob into slave trading. A cop in a white
trench coat named Igarashi is after the Taiwanese gang and he and Maria
cross paths and soon cross bodies as well – who are you he asks – what
if I told you I am an assassin – oh, ok.
The film makes the mistake of breaking the girls
with guns rules – the appeal of this genre for many of its fans is that
it projects strong female power often with no need at all for male help
or companionship. Here even though Maria is a trained professional killer,
as soon as the broad shouldered cop appears she seems to lose her powers
and he has to save her life two times – though admittedly she does bounce
back to take on the Taiwanese mob on her own. After one of those times
when she was beaten pretty badly, she rewards him with a roll in the sheets.
For those brought up on Hong Kong girls with guns, the Japanese equivalent
is a bit like a weak sister – they tend to be much more exploitive in nature
with lots of nudity – don’t have actresses with trained fighting skills
– and seem to be aiming at a different type of audience than the action
junkies who love the HK films. In both cases they are niche films for the
most part – most of the Japanese ones are straight to video while the Hong
Kong ones generally were produced by small independent companies for specialized
markets.
My rating for this film: 5.5