The Seven Faces of Bannai
Tarao, Private Detective
Director: Sadatsugu
Matsuda/ Tsuneo Kobayashi
Year: 1956
Rating:
7.0
It is interesting
to see how the police interact with a private detective in a Japanese film
versus how they usually are in American films. Spade, Marlowe, Rockford always
get the bum rush from the cops. Often threatened with losing their license
or jail time if they interfere with an ongoing investigation. Not so in this
film. The P.I. is welcomed, treated with respect, listened to and in fact
the police even take his orders. Of course, this is not your run of the mill
everyday detective. This is Bannai Tarao. He is kind of the Lone Ranger of
private eyes. Showing up out of nowhere to help people and hand out justice.
Sometimes with a gun. A man of multiple disguises, thus the Seven Faces.
In the end he goes off into the sunset with nary a thanks. A man of mystery.
There were eleven Bannai Tarao films from 1946 to 1960 starring Chiezō Kataoka
and then two more with Akira Kobayashi in 1978.
Colt 45s are being smuggled into Japan and
being used to commit crimes. Bannai intends to stop it. He has no client
or legal justification to do so. He just does. After he stops three bank
robbers in a chase, the cop asks, how do you always get here before we do?
Because he is Bannai Tarao. He has seven specific personas - tough taxi driver
with an eye patch, an old tired insurance salesman, a magician, a Chinese
millionaire and a couple of others. Each has a fully furnished home. With
trap floors.
In a nightclub, a man is shot dead and outside
Bannai is in his taxi driver disguise and picks up the killer and takes him
to one of his homes. The killer did it on orders from his Yakuza boss. Bannai
wants to gain his confidence to find out about the smuggled guns. So he is
hiding a killer from the cops, but the cops don't seem to mind. Rockford
would be in big shit. A couple more murders take place, but it is the huge
shootout at the end with Bannai against about 40 gang members that is the
cherry in the drink. And here like American films, the guns never run out
of bullets and the bad guys can't shoot straight.