Storm Over Arabia
                                                      

Director: Kô Nakahira
Year: 1961
Rating: 6.0

Aka - Arabu no Arashi

Aka - The Arab Storm

This is a light Japanese adventure film from 1961 that is directed by Kô Nakahira. In particular of interest is the unusual setting for a Japanese film at this time. Most of the film is shot on location in Egypt and the film kindly prints each location as we get to it. Egypt looked quite wonderful back then before all the troubles came about. The film doesn't make a lot of sense and everyone acts like an idiot, but damn Egypt makes up for it. In an early scene, the main character races up the Giza Pyramid. I doubt if they would let you do that now. Later on, they do a North by Northwest scene with a plane trying to shoot him right below the pyramids. And Cairo is a lovely walking city as he goes by many of the main areas of interest. Anyway, enough about Egypt - another place I never got to and probably never will.



This stars Yûjirô Ishihara as Kentaro. Ishihara was a big singing and acting star at the time - taking the main role in Crazed Fruit and other Nikkatsu films. He manages to squeeze in a few songs here - even two in Arabic. There are also a few nightclub songs by Shadia, a famous Egyptian singer. But this isn't a musical though it may sound like one. It is a comical espionage film. Light on its feet or through the air, thanks to Pan-Am that gets an enormous amount of product placement. The Pan-Am logo always brings back a few fond memories for me.   Pan-Am gets Kentaro first to Hong Kong for a very brief scene, then Beirut and finally Cairo. He is basically being kicked out of Japan after his wealthy grandfather passed away. The Board of Director's for his grandfather's company worries that if Kentaro takes over he will bankrupt the company. Mainly because he is an idiot, a loafer, a gambler. They all puff away on their cigarettes as they conspire how to get rid of him. 

 

Initially, they try to get him to Paris - even throwing a big party with geishas thinking he is out of their hair - but then he comes back - finally he is told off by a worker who was fired at the company for something Kentaro did - and he begins to realize what a waste his life is and decides to see the world. But he remains an idiot throughout the film, never realizing that he is in the middle of a revolution and often escaping with his life only by luck. He speaks no foreign languages and is lost from the get-go. It begins with his bag being switched at the airport - he now has the key to a revolution in a pendant - as he keeps telling the man to stop leaning against him. The man is dead with a knife in his back.  Both sides of a revolution want that pendent - for what country is never said - but one side are called the Imperialists and the boss speaks English. The pendant is basically a MacGuffin that keeps the plot rolling. Izumi Ashikawa plays the female who has gone to Egypt to look for her long-lost father and keeps running into Kentaro. The idiocy of practically everyone gets a little tiresome at times, but there is plenty here to keep you interested.