Sayonara Jupiter
Director: Koji
Hashimoto
Year:
1984
Rating: 6.0
Aka - Bye Bye
Jupiter
Toho goes big with yet another exploration
of deep space in this wonderfully pulpy mess of a movie. Director Koji Hashimoto
makes some very peculiar choices as the film goes along but as the Assistant
Director of many of the classic Kaiju films of the 1960s and then after this
as the director of the revitalization of the Godzilla franchise in the 1980s,
I guess he earned the right. Toho had last visited space with the 1977
War in Space but sci-fi or Tokusatsu (special effects) films were very much
in fashion and Toho goes whole hog on them. The 1984 version of them of course.
Great models of spaceships as expected but space as well - the glory of it,
the bizarreness of it. The vast space and the planets - Jupitar and Mars
and the Moon. There are nods to the past from Toho - the main character is
named Eiji Honda - a tribute to the great director and special effects man
of the past. Appearing for little more than a cameo is Akihiko Hirata who
was such a familiar face in so many of those Kaiju films. He was to die shortly
after this film - so it is also a sayonara to him. One character switches
from a Toshiro Mifune film to Ghidorah.
You can't call this a good film. It is at
times badly edited, the acting by many of the cast of foreigners is amateurish,
it is often hard to follow, has a lot of technical gobbledygook that makes
no sense, the entire premise is absurd, the film takes big leaps in the timeline
- but give it kudos for its ambition, imagination and idiotic fun - but it
plays it all totally seriously. And of course, the weightless naked sex sequence.
You won't see that in Star Wars, though I imagine some people had fantasies
of it.
It is 2125. Most of us will hopefully still
be here. Along with the other 18 billion people on earth. Elon Musk's dreams
have come true and there are another 5 billion people scattered among the
stars, no doubt with their own McDonalds and KFCs. Space is big business
and very fast and cheap. Eiji says he is going to visit someone on earth
and the next minute he is on a beach trying to save a dolphin in a Jaws inspired
sequence. There is so much illogic going on that you could fill a school
bus with it. But so what, really?
Up in space they are extracting water from
Mars and in the process they uncover ancient writing from aliens that points
to Jupiter. Perhaps not coincidentally there is a massive project being undertaken
headed by Eiji (Tomokazu Miura) to turn Jupiter into another sun. A sun.
Sounds a little dangerous but the interplanetary locations need a new source
of energy. How you turn a planet into a sun, I will leave to the scientists.
There are a group of radical environmentalists who want to stop this. They
infiltrate the control spaceship as tourists. They are giving guided tours.
One of them has a Prisoner Scorpion large black hat on covering her face
and it turns out to be Eiji's love from years ago. They of course have sex
and it is so good that it gets weightless as they cruise through the galaxy.
On the outside. I tried weightless sex when I was younger and I just got
dizzy.
But then a mission is sent out to find out
why two unmanned craft have disappeared. They send Hirata and the fan of
the Godzilla movies to explore. In a great scene, they are sucked into a
black hole. A big one that is coming for our sun. Oh fuck. They quickly build
1000 huge passenger ships to evacuate 18 million people from earth. The Japanese
are damn efficient. Eiji comes up with a different plan - and here I got
lost having flunked my physics class - but it is shifting Jupiter into the
path of the black hole, blowing it up and sending the black hole in a different
direction. That should be easy. Fortunately, they have a ten year old genius
working the numbers. And those damn environmentalist terrorists having taken
courage pills show up with ray guns. And his old girlfriend is one of them.
Throw in a number of corny ballads from time to time and a Jupiter Ghost
that may be Godzilla or aliens and it is a gonzo film that feels as much
inspired by drugs as all the other sci-fi films.