The H-Man
Director: Ishiro Honda
Year: 1958
Rating: 7.0
Halfway
through the film, Inspector Tominaga asks the other police officers "Why
did it come to Japan? Why is it here in Tokyo?". After Godzilla, The Invisible
Man and Rodan, you are still asking this basic question. Why Japan? Punishment
for war crimes? The Occupation? The dropping of two atomic bombs on it? Atomic
tests in the South Pacific? Perhaps, but the simple answer is Ishirô
Honda. He was a wrecking crew along with his staff at Toho who were intent
on both entertaining and terrifying the people of Japan with monsters, aliens
and mutated human beings. It is a scary world out there beyond Japan and
there is no way to keep it out. This isn't one of Honda's best-known works
but it should be. He shows what he can do with a multitude of genres as this
begins as a conventional crime film, morphs into sci-fi horror and still
finds time for a little romance and a few wonderful splashy nightclub scenes
(which I have a major weakness for). At 86 minutes it doesn't waste a minute
and is shot in glorious color that will work its way into the lobes of your
brain. It is a beautifully shot film with a minimum of special effects for
Eiji Tsuburaya to work on. Some black slime and green lights. The suspense
derives from the anticipation more than the actual money shots of men turning
into mush.
Two gangsters Misaki and Uchida have broken
into a bank vault and stolen a satchel of drugs. Uchida is the driver and
as Misaki comes up out of the sewer, he begins to scream and shoot at the
ground. Uchida drives away. By the time the cops get there only the clothes
of Misaki remain. The cops headed by Inspector Tominga (Akihiko Hirata) wonder
how a naked man could have escaped. The manhunt is on. It leads them to Misaki's
girlfriend, Chikako (Yumi Shirakawa), a nightclub singer and all woman in
her sleek gowns. Fortunately, the police visit her at work where she sings
two songs and Emi (Ayumi Sonoda) puts on an erotic floor show that will make
your eyes glow in the dark.
Their leads come to nothing - Misaki has
vanished but another Yakuza comes to Chikako's apartment looking for him
and smacks her around. As he drops to the ground, he screams and he too leaves
only his clothes behind. A scientist Dr. Masada (Kenji Sahara) comes to the
cops with a fantastic theory. That radioactivity brought to shore by a boat
has created Liquid Men and they are killing people. Tominga kicks him out
but then others begin disappearing and Masada takes the Inspector to see
two men in the hospital who had boarded that mystery boat and tell a very
creepy story of seeing horrors. Tominga still doesn't believe and then they
begin coming out of the sewers in numbers. Very cool. What it doesn't get
into is how intelligent are these Liquid Men who can take amorphous green
gassy shape. Is one of them Misaki and does he want to protect Chikako. Or
make her one of them.