"XX Beautiful Series"


Though the “straight to video” appellation has earned disdain in most places in the world, in Japan it has a certain ring of respectability around it and has proven to be fertile ground for new directors attempting to learn their craft and also as a home for older directors who no longer have the clout to make theatrical films. This market even has a term associated with it – “V-Cinema”. The “made for video” growth that occurred during the 1990’s was due in large part to the dramatic decline in the overall box office percentage of Japanese films compared to non-Japanese (primarily U.S.) produced films and thus a reduction in the number of films released theatrically. With much smaller budgets these direct to video films were able to turn a profit and were made not only by small independent companies, but the large film production companies also had direct to video divisions.

Many of today’s premier Japanese directors (Kiyoshi Kurosawa, Takeshi Miike, Takeshi Shimuzu) had their start in this arena and the low budgets of these films (often less than $100,000) allowed them to not only hone their craft but also to develop a unique style and viewpoint. At the other end of the spectrum, older directors such as Masaru Konuma (“Wife to be Sacrificed”), Kazuo Komizu ("Entrails of a Virgin") or Toshiharu Ikeda ("Evil Dead Trap") found some work and a paycheck waiting for them at the end of the day.

From 1994 through 1996 the video arm of Toei produced six films drawn from the short stories of novelist Arimasa Osawa. All the titles were prefaced with “XX” and are low-budget entries that typically have doses of violence, action, sex and often torture. They all feature strong female protagonists in non-traditional roles – assassin, bodyguard, pathologist and cop – but one would not claim these as primers for women’s empowerment because the real purpose here is clearly as spectator sport. Though these films fall squarely into the video exploitation genre that one expects, they generally do it with some style, professional workmanship and a good feel for genre filmmaking – i.e. they give the targeted audience what they want. Most of the directors have a respected lineage in the areas of horror and "pinku" films.


Film Title
Year
Rating
Beautiful Weapon
1994
6.0
Beautiful Hunter
1994
6.0
Beautiful Beast
1995
5.5
Beautiful Target
1995
NR
Beautiful Killing Machine
1996
6.0
Beautiful Prey
1996
7.0