Bloody Shuriken
Director: Tokozu Tanaka
Year: 1965
Rating: 7.0
Aka - Akai Shuriken
An excellent samurai film with a good amount
of action. It might sound a bit familiar. A lean tough samurai or Ronin rides
into a beat up old town on his horse to scout out the territory. He sees opportunities
for his skills. Skills like his two swords and his never ending supply of
darting sharp knives. There are three Yakuza factions that run the town -
all knee deep in corruption and paranoia that one of the other factions will
drive them out. They all want his services and are willing to pay for it.
It is difficult to determine which had more influence on the film - Yojimbo,
A Fistful of Dollars or the original source Red Harvest from Hammett. It
has elements of all three. It very much feels like a Spaghetti Western in
style and protagonist but the central theme of Red Harvest is also brought
in. Some people just have to die before things are set right.
Ibuki played by Raizô Ichikawa is
sitting by the river and sees a dead body floating in the water being pecked
at by crows - he chases them away. In a sense that is the entire film in the
first minute. He enters the town and quickly busts up a fight between two
of the Clans and steals some money - quickly establishing his credentials.
He learns that there are three groups - Hotoke (Isao Yamagata) who are on
the top in terms of men and ambitions; Kinuya (Fujio Suga) are second on the
rung but hoping to do something about that; and at the bottom is Sumiya (Yoshio
Yasuda) who are terrified about their survival. Ibuki feels like a Godsend
when he offers Sumiya his services to kill Hotoke but he has a much more
complicated agenda. Kill them all.
The film throws in a few other central
characters that make the film intriguing and more complex - the honorable
woman Oyuki (Chitose Kobayasi) who runs the stable and hates all the Yakuza,
the not so honorable woman Chinami (Masumi Harukawa) who runs the local bar
and is willing to trade her body to anyone for protection and murder and
finally another Ronin, Masa (Koji Nanbara) who shows up to work for Hitoke
and may be the equal of Ibuki. He wants two things in life - Chinami and
to kill what he refers to Ibuki as "the lowly samurai". Ibuki remains a mysterious
figure till the end - corrupt or heroic. A few times he runs away from a fight
with Masa because it doesn't fit into his overall plans but the that day
is inevitable.