Cat's Eye
Director: Kaizo Hayashi
Year: 1997
Production Company: Fuji Television
Running Time: 90 minutes
Sometimes there are certain small things in a film that appeal to you
and will allow you to overlook many of its faults – for example three beautiful
women attired in tight black latex cat suits with little cat ears perched
above their heads can make just about any film watchable for me. This may
well not be the case for many people, but women in black latex suits are
a plus for me. Irma Vep comes to mind – has Maggie Cheung ever looked better
in her life than when she was zipped into one in that film? Throw on top
of that the fact that these three women are cat burglars with lots of cat
like powers and you have a winner in my book. Based on a manga that ran from
1981 to 1985, this is a colorful bit of pop catnip that is hard to resist
on some juvenile fan boy level. Not much more sophisticated than the Batman
television shows and certainly taking cues from it, this almost feels like
a retro trip back in time.
Cat’s Eye consists of three sisters – Rui (Norika Fujiwara – in her debut
film - later in China Strike Force), the brains of the trio, Ai (Yuki Uchida),
the hotheaded one who is a mechanical genius and Hitomi (Izumi Inamori),
a master of disguises. These three were left as orphans after their mother
was killed and their painter father was kidnapped by a Chinese gang called
Ko-Ryu-Dan. They trained to become these cat super heroines in order to find
their father and are now in the process of stealing all of his paintings
in hopes that this will provide clues to his present whereabouts. How this
will help isn’t quite clear. But they want his paintings back anyway. Unfortunately,
it is not as easy as buying them because they are now held in museums and
private collections – so the solution is to steal them of course. Making
this even more difficult but sporting I guess is their need to warn the police
ahead of time that they will be doing so and even at what time. In true classic
comic book tradition, making fools of the cops is half the fun. They have
some rather neat tools at their disposal – a camouflaged mouse car that can
discard its body to reveal three speedy motorcycles underneath, steel cat
claws that allow them to crawl up walls and ceilings as well as slash and
defend themselves and a parachute glider contraption with a big cat emblazoned
on it that they use to get away. Another cool thing about them is that when
they change into their Cat Eye identities, their hair automatically fluffs
up and changes style! They also have their own theme song from the group
ANRI like real super heroes have.
In charge of capturing them within the ranks of the cops is the woeful but
sweet Toshio (singer Kenta Uchida) who is determined but not all that clever.
He has a girlfriend who turns out to be Hitomi – she and her two sisters
own a little café – called Cat’s Eye – that Toshio visits all the
time. Hmmm – could it be? Nope, he never quite makes that difficult connection.
In a film like this you need some villains of course and this is accomplished
by the return of the Ko-Ryu-Dan gang who want to first use Cat’s Eye to steal
the “Eye of the Dragon” and then kill them. Looking like escapees from the
Hong Kong film Heroic Trio, the gang dresses up in ancient costumes, has
an Emperor – though Emperor of what I am not sure – and a retinue of dwarves,
courtesans and white faced kung fu killers. There is also the dreaded Dragon
Lady Miss Wong who is an expert in disguises and who wants her son Black
Flag, a three bladed killing machine, to usurp the Emperor. It isn’t very
deep but it’s rather light fun for those who like their comic book heroes
in 3-D form and these women are definitely 3-D.
Though the budget isn’t vast by any means, it still manages to have a nice
glisten about it with lots of colorful costumes and sets, a few decent action
sequences and some lovely moments. My favorite visual has to be when Hitomi
disguises herself as an older heavy set white woman who goes into the lair
of the bad guys and Miss Wong figues out who she is and brings a sword down
upon her head. This splits the woman in half, but Hitomo in her cat suit
is revealed to be inside and jumps into action. Black Flag is played by Ken
Kosugi, the son of the legendary action star Sho Kosugi, and he shows a few
athletically muscular moves. This may initially seem like an odd choice for
director Kaizo Hayashi who directed the Maka Hama trilogy, but it fits in
with his liking of American pop culture and is a fun addition to the costume
hero genre.
My rating for this film: 7.0