Undo
Year: 1994
Director: Shunji
Iwai
Rating: 6.0
A year after Fried Dragon Fish, Shunji
Iwai directs and writes this film that is also for Fuji Television. It is
definitely on a TV budget with only three actors and much of it shot in one
apartment - though the budget for string and rope must have been large. It
is visually a treat - stunning compositions, colors, close-ups and images
- a big jump from Fried Dragon Fish - and it also seems to be territory that
Shunji is more comfortable in - offbeat, elusive, relationship driven. It
runs only 47 minutes, moves slowly and yet at times you can't take your eyes
off the action or in this case the in-action. What he is aiming for is hard
to decipher - love and obsession and how they play out in a relationship
perhaps? Are the turtles in their protective shells symbolic? I don't know.
Are the ropes symbolic? Your guess is as good as mine and you haven't seen
it.
Yukio (Etsushi Toyokawa) and Moemi (Tomoko
Yamaguchi) live together and have a fine thing going. She wants a pet - cat
or dog - but the apartment won't allow it so Yukio instead brings home two
mid-sized turtles that he persuades Moemi that they can take for walks. She
then gets her braces taken off - and suddenly he doesn't find her as appealing
- though never said one might assume it is because the braces were a sign
of innocence and youth - and though Moemi is as childlike as my nerves could
stand, it just isn't the same and he buries himself into his work at home.
She begins tying up things with string - small things, then the turtles,
then an apple, then the turtles from the ceiling and it is rather cute and
amusing. Until it isn't anymore. She obsessively begins to tie everything
up in the apartment - he takes her to a psychiatrist who calls it a Malady
of Love - "Obsessive Knot-Binding Syndrome". It gets creepier and creepier
- verging on insanity - when she asks him to tie her up - tighter - tighter
- tighter- you realize they have gone to a place lovers probably should not.
Picnic
Year: 1996
Director: Shunji
Iwai
Rating: 7.5
This is another Shunji Iwai film produced
by Fuji TV in 1994. I am not sure if it was ever put on TV but was instead
released into theaters in 1996 , two years after it was made, and after Shunji's
hit film Love Letter hit theaters in 1995. If that is the case, you can understand
why Fuji may not have shown this on TV. It is a difficult film with some
imagery that may have been disturbing to commercial TV audiences back in
1994. The film will leave you thinking - what was Shunji (who also wrote
it) trying to get at. It is more technically accomplished and filled out
(66 minutes) than Undo was but it is equally perplexing. It seems rampant
with possible religious symbolism but to what purpose. Is it being critical
of religion - Christianity in this case - or is that just being used to push
the film forward to where Shunji wanted it to go. It takes place in a mental
institution and that immediately sparks thoughts of whether the institution
is a symbol of society as we have seen in other films or is it just a mental
institution. Are they angels, are they lunatics, are they disciples?
Coco (the singer Chara) is placed in an
institution by her parents who seem relieved to be rid of her. The institution
looks like an old factory made into an institution with its gray peeling
walls, narrow corridors and cluttered roof top. Patients just seem to drift
around like clouds with no place to be. Coco becomes friendly with two other
patients - Tsumuji (Tadanobu Asano - he was to marry Chara soon after the
film) and Satoru (Koichi Hashizume). There isn't much doubt left to the viewer
that they are right where they belong - they are certifiable.
Coco has a black feathery jacket that she
refuses to give up and one night she catches a crow outside her window and
kills it, plucks its feathers and sews them into her jacket. Tsumuji either
killed or thinks he killed his teacher and he has fantasies about this teacher
coming to visit him and asking him to unzip his pants, take out his penis
- where upon a monstrous worthy of Miike six-headed penis comes out and begins
urinating buckets - all while Satoru in the background is wildly masturbating
about Coco.
One day the three of them walk out of the
institution and come across a choir of young girls singing at a Catholic
church and they stop to listen sitting on a wall, The priest comes out and
asks if they are angels and then discusses God with them - Coco is sure that
the world began with her birth and will end with her death. Tsumuji says
he doesn't believe in God and the priest gives him his bible to read. He
does and begins to believe in it literally - and that the world will end
on a specific day. They are thrilled to hear this and decide to go on a picnic
to watch it end.
It is beautifully shot and the walk on
top of walls and ledges to get to the picnic is at times just poetic - to
the music of Remedios who had also provided the music for Fried Dragon Fish,
Undo and Love Letter - as the camera tracks them simply walking, Coco all
in black with her broken black umbrella and the other two in white - which
again feels symbolic. There is some wonderful imagery but the final image
is stunning - breathtaking - shattering.