Law in Ghost Island
Year: 1961
Director: Yasushi
Sasaki
Rating: 5.5
After watching Bulls Eye of Love, I was
in need of a little more of the charms of Hibari Misora and picked this one
at random thinking it would be a supernatural tale of sorts. Well, not quite
as it turned out. There are no ghosts on Ghost Island nor does anyone call
it Ghost Island but instead Ryujin Island, aka Dragon Island, which is a
real island down in the southern islands. And the kick in the pants is that
Hibari isn't in it all that much. Still it is a somewhat peculiarly chaotic
and convoluted film with more characters than a year of soaps. You need a
scorecard to keep track of them all.
Ghost Island could be a great getaway if
it weren't that pretty much everyone is a crook, a ruffian, a Yakuza, a smuggler,
a slave trader, a pimp or a revolutionary all ready to take your money or
your life. And lots of hostesses to keep you company and filling your glass.
The town is like an Asian casbah of winding alleyways, rundown shops, hidden
homes behind hidden homes, an entertainment area and a polyglot population
of Japanese, Chinese, Malays, Indians and the local ethnic folks. All dressed
in their native garb which must have given the costume designer fits. There
is even a character who fancies himself a cowboy in hat and boots. It is
a Rick's café in which no one is quite who they pretend to be, but
they all have agendas. Into this dangerous and seedy tourist destination
two people get off the arriving boat. Yagi Hanzo (Hashizô Ôkawa),
a lowly samurai on the skids and Miss Sung (Hibari) in a cheongsam showing
some bare shoulder that indicates why she must be there.
There is a lot afoot on Ghost Island -
and none of it good - two gangs run the place but are at peace as they are
putting together a deal to smuggle (during this period it was illegal by
death to trade with Gaijin) and sell guns to a Kyushu Daimyo who may want
the weapons for a civil insurrection. The film plays out in an oddly leisurely
way as Hanzo just wanders around the town running into people who offer him
drinks and want his services - he accepts the drinks but demurs working for
them. And he constantly runs into Miss Sung who seems to be doing nothing
but sees everything. But she does manage to sing two songs! It finally leads
to a huge fight in which everyone's identity is revealed much to the surprise
of everyone else. Even Hibari gets to shoot a bunch of people. When the bullets
run out our samurai and another disguised samurai (Koji Tsuruta) get to cut
down hordes of bad guys. All in good fun.
It is all rather nonsensical and idiotic
admittedly though I enjoyed just how haphazard the plot jumps around and
how unusual it was - and it is really only saved by the 20 minute fight in
the end (which is also idiotic as bad goes go down like bowling pins). It
seems to be set around 1850 as there are references to the Black Ships (korofune)
which was the name given to Perry's ships which forced Japan to open itself
to trade.