Kaal
Director: Soham Shah
Music: Salim-Sulaiman
Year: 2005
Running Time: Too Long (126 minutes)
When a film is coming out that has the names
Karan Johar and Shahrukh Khan associated with it, the movie viewing world
rightfully goes into a deliriously frenzied tizzy like an alcoholic with his
first drink in a month. Throw on top of that burning fire of hype that Shahrukh
and Malaika Arora are reuniting in a dance item number for the first time
since their legendary pairing on top of a moving train in "Dil Se" and you
feel as lucky as a guy who gets a blind date with the school hoochy-koochy
girl - what could possibly go wrong? Well, as it turns out just about everything.
After sitting through this my brain needed electroshock to get it started
again. It is hard to imagine that a film with so much talent in the wings
and a slew of young good looking stars in front of the camera could be so
embarrassingly inept. Everyone involved with this film should be forced to
wear paper bags over their heads like criminals being marched out of police
lock-up. The actors should sue for malpractice and damage to their careers.
Now the idea behind the film isn’t a bad one, but the execution of it is
another matter.
A bunch of snippy yuppies find their way deep into the Corbett jungle in
India for various reasons. Krish (John Abraham) and his wife Riya (Esha Deol)
seem to have something to do with either conservation or abdominal exercise
machines – it is a bit difficult to tell for sure. When we are first introduced
to them Krish is running shirtless with his jeans tugging very low below
his waist and the camera firmly focused on his midriff like a construction
worker eyeing any woman walking by. He is chasing a long boa constrictor
and when he catches it he wrestles with it just to show how very cool he
is – only cool people have boa constrictors as wrestling partners as we all
know. Soon Riya happily joins in but it soon becomes clear that Krish has
a lot more chemistry going with the snake than he does with Riya and showers
his affection in that direction (I mean this is Esha Deol even after the
recent hot body makeover). Tourists are supposedly being killed by a man
eating tiger, but Krish is suspicious that some poachers may be behind this
and so he decides to visit the jungle with Riya just as the rainy season
approaches. She packs all her best short shorts and heavy eye-liner to be
prepared for any camera angle that comes along.
Our other yuppies come in the form of a foursome – Dev (Vivek Oberoi), his
girlfriend Ishika (Lara Dutta) and their two male friends played by Kushal
Punjabi and Vishal Malhotra. They are on their way to Dev’s farmhouse when
their car breaks down and they are persuaded by a guide to go along with
him into the jungle to have some fun and adventure. Soon the foursome meets
the twosome and they become a sixsome – but soon very bad things begin happening
and they become much less than the sum of what they were. There is something
out there that is killing people in horrible ways. Is it one of the group,
is it a tiger, has the Predator landed in India or is it the worst villain
imaginable - a mangled script? The group decides that it is time to leave
(much of the audience is thinking the same thing at about this time), but
the roads become closed off and their only hope to survive seems to be a
mysterious guide who suddenly appears when they are surrounded by three tigers
and he shushes them away like pussy cats – this is Kali (Ajay Devgan) – but
can you really trust anyone called Kali who talks in echoes and corny clichés?
On the face of it this could have been a fun trashy film, but there is so
little good to say about it. I could try but nothing comes to mind except
Lara’s revealing outdoor wear. It has absolutely some of the worst acting
I have seen in quite a while – it is so bad that Esha may have done the best
by simply not being very noticeable. Vivek spends most of the time with a
gaseous look on his face as if its past feeding time and he wants to cry
for his mom. His dialogue basically consists of telling everyone to "cut
the crap" and "I'm going to kill you" and he is so annoying that you can't
imagine why Lara is in love with him. John Abraham with his typical unshaven
scraggly appearance continues his series of films in which he looks to be
a walking advertisement for deodorant as he exhibits all the manliness and
personality of a billboard.
The two young cuties scream a lot and look great trekking around the jungle
showing lots of leg and some cleavage in their short skirts and tight thrusting
halters - perfect jungle wear for all occasions but for the most part they
are kept in the background and only allowed to look scared or act stupid.
Ajay telephones in his performance from somewhere far far away and if he
had a sense of humor he should have found it impossible to keep a straight
face with his idiotic dialogue or when he picked up his paycheck.
Another main issue is how unlikable they all are – whether this was the intent
of the director is hard to say but they are all rude and surly and speak
down to the “lower classes” in a way that should have had them lynched. If
this is typical Indian yuppiedom, bring on the revolution. So every time
one of them dies you want to cheer because they are so deserving of it. Speaking
of scares - where were they? Most of the "scares" are of the phony variety
- a dream, someone suddenly tapping you on the shoulder - but the best -
a classic of sorts - is when the camera in close-up of a face shows a hand
slowly reaching across and it turns out to be the hand of the person who's
face we are staring at - one of the great "scare" cheats of all time. Towards
the end it gets somewhat entertaining when one of the big stars gets it and
you think to yourself - finally – let’s see them all die horrible deaths
- the price of my ticket might not be a complete waste then - but no such
luck as the movie ends so suddenly you wonder if they ran out of film or
ideas.
More music might have helped the film considerably – not that good acting
and an intelligent script would have hurt – but this was Karan’s attempt
at doing a Ram Gopal Varma film – suspense unbroken by musical interludes.
Bad idea Karan. The film has two numbers – one during the opening credits
and the other during the closing credits – both with no discernible connection
to the film narrative. The first song – Kaal Dhamaal – is the pairing of
Shahrukh and Malaika and it is a fairly generic looking Vegas show number
with lots of cute background dancers and hip movements. Malaika flashes a
lot of leg – and I mean gams that are as long as that boa constrictor and
probably a lot more fun to play with. Shahrukh though brings none of his
personality to the number with his goofy paste on tattoos and straight faced
demeanor. Any cute Vegas show boy could have done as much. The only other
number (Tauba Tauba) is during the final credits and is pictured in a small
box in the corner – sort of a waste though the music sounded fine.
What the film really needed was a classic wet halter scene - what's a jungle
movie without the heroines falling into the water at least once or twice
- check out the Bollywood version of "Tarzan" for good use of water - and
a few leeches would have been nice. Instead we get white furry rabbits -
not even killer rabbits – and I am sure every jungle is full of these – snack
food for the wild predators. This movie may become a cult classic over time
like the Ed Wood movies, but for now it’s just a stinker.
My rating for this film: 3.0