Asoka
Reviewed by Brad Crain
Director: Santosh Sivan
Music: Anu Malik
Cast: Shah Rukh Khan, Kareena Kapoor, Ajit Kumar, Suraj Balaji,
Rahul Dev, Hrishitaa Bhatt, Danny Denzongpa, Subhasini Ali, Gerson Da Cunha,
Johnny Lever
Year: 2001
Running Time: 2hrs. 48 minutes
Before I get started with
my review of the film “Asoka,” it’s only fair that I state up front that
this is only the second Bollywood film that I’ve seen (the other being the
very good “Dil Se”). Therefore, asides from Shah Rukh Khan (who also
starred in “Dil Se”), I’ve never seen any of the other actors before.
Additionally, being born and raised in the American South, I know nothing
about Indian history. Although I have made good grades in all my prior
World History courses, about all I seem to remember is the fact that King
Henry VIII of England started the Anglican Church (the Episcopal Church in
America) so he could divorce his wife. That’s it! Apparently,
the Emperor Asoka is considered one of the most important figures in Indian
history. The reason I wanted to mention these things is to cover myself
if I make any ignorant and / or boneheaded remarks through the course of
this review. With that being said, on with the show...........
First, a summary of the plot: Young prince Asoka (Shah Rukh Khan) is
pretty much an arrogant bada$$. Sensing that Asoka could realistically
ascend to the throne, his brother Susima (Ajit Kumar) plots to have him killed.
After easily, and quite stylishly I might add, fending off a couple of assassination
attempts, Asoka is willing to fight whoever it takes to be king. Then,
in concern for her son’s life, Asoka’s mom decides that she will never talk
again unless he leaves town and resumes life in safety as a commoner (and
I thought my mom knew how to put on a guilt trip!!!!).
While wandering the earth (ahhh the privileged), having taken on the name
of his horse Pawan, he comes across a beautiful woman named Kaurwaki (Kareena
Kapoor) who just happens to be singing and dancing provocatively in a beautiful
stream. Thus begins a courtship between Kaurwaki (who is actually a
princess in hiding after assassination attempts of her own) and Asoka / Pawan.
Kaurwaki’s brother, the eight years old prince Arye, is also with them.
Kaurwaki and Pawan fall in love and get married.
Just when you think life is just too good, Pawan is called back home to check
on his ailing mother. In a cruel twist of fate, Pawan is incorrectly
told that Kaurwaki and Arye have been killed. Additional things happen
at this point, you know, minor things such as Asoka getting a new wife, his
outrageous cruelty towards others, his multiple killings of family members,
etc. After thinking that he has lost his true love, it basically
just boils down to him not giving a rip about anything. He just mercilessly
assumes the throne of his country, expanding its territory, and killing whoever
stands in his way. The movie culminates in a great battle in which
Asoka tries to take over the territory of Kalinga, which happens to also
be the territory that princess Kaurwaki and her brother are from. I’ll
leave the rest for you to discover.
I really liked this movie. There was one point (I think about half
way through) that I thought to myself, “I love this movie.” By the
end of the film, however, a more accurate description of my feelings toward
the “Asoka” experience is “really liked.” The film is great to look
at, and I’m not just talking about the Kareena Kapoor’s dance sequences.
I’m a fan of stylish films. That’s why directors who bring such visual
style to their films, such as John Woo, Brian DePalma, and Sergio Leone are
some of my favorites.
Director / Cinematographer Santosh Sivan has made a very stylish film.
Through his use of quick cuts, bizarre camera angles, slow motion editing,
tightly choreographed action sequences, and epic battle scenes, Sivan has
made a film that is extremely pleasing to the eye. This introduction
to Sivan’s directorial work has stimulated my interest to explore his previous
work as director and / or cinematographer. After watching this film,
I noticed that he is also the cinematographer on “Dil Se,” another beautiful
movie.
In the lead role, I found myself mesmerized
by the screen presence of Shah Rukh Khan. His character goes from arrogant
youth, to love-struck suitor, to cruel emperor, to heartbroken victor.
Although these transitions sometimes seemed somewhat abrupt, Khan’s performance
was quite believable. Coupled with Khan’s performance in “Dil Se,”
I can see why he has been a box office star in India over the last decade.
In the same way that a person can immediately sense the star power of Hong
Kong actors like Chow Yun-fat and Lau Ching-wan, Shah Rukh Khan sticks out
like a sore thumb.
As Kaurwaki, Kareena Kapoor is very attractive and gives a good performance.
By the way, did I mention her dance sequences (3 times at last count)?
The other performance that really stood out to me was that of Denny Denzongpa.
He plays a guy who seems to have more brawn than brains, is initially somewhat
of an annoyance to Asoka’s character, and who eventually becomes one of his
most loyal allies and friends. Their initial interactions are quite
funny, and their growing friendship adds another level of emotional depth
to the film.
I have one minor complaint with this film.
My understanding is that after witnessing the extreme brutality and horrors
of war, Emperor Asoka became a man of peace, embracing Buddhism, and spreading
his beliefs across his nation. I can’t believe I’m saying this about
a film that lasted close to three hours, but I wish the filmmakers would have
included more about this phase of Asoka’s reign. I think this would
have left a better taste in my mouth at the conclusion of the film, compared
to ending the film right after the brutal battle of Kalinga.
All in all, “Asoka” is a good place to spend a few hours. In the tradition
of historical epics such as “Braveheart,” the experience may leave you emotionally
drained, but you will not have wasted your time.
My rating for this film is 8.5.