Jaali Note
Director:
Shakti Samanta
Year: 1960
Music: O.P. Nayyar
Duration: 155 minutes
Rating: 6.0
Bollywood
in Black and White
C.I.D. Inspector Dinesh (Dev Anand)
follows a man into a hotel that he suspects of being involved in counterfeit
money. But the man has become aware that Dinesh is behind him and closing
in when he sees the Boss's moll and asks her to hold him up so that he can
escape. Lily only knows one way to do this. Dance, sing and flirt as she
stops the Inspector in his shoes by not letting him go by. Soon he joins
her in the musical number because this is Bollywood and she is Helen. Helen
could stop a speeding train with a few swings of her hips and a come-on expression.
Weirdly, the escaping man also seems to want to watch and hides behind a
group of female background dancers that appear from nowhere. In the end Dinesh
just leaves and says to his sergeant "We will get him another day". He should
first check to see what Lily's work schedule is. Ah Helen, once again having
to play the bad girl, the vamp, the vixen - but it made her into a legend
and here she gets three musical numbers which made my feet feel better.
This is directed by one of my favorites
from this period Shakti Samanta - he did a few with Ashok Kumar and then
Shammi. Before this film he directed the wonderful Howrah Bridge in which
Helen does the Chin Chin Chu number and Singapore with Shammi and Helen and
afterwards Chinatown with Shammi and Helen and the wonderful An Evening in
Paris with Shammi. These early works tended to be crime films. As is
this one with its hero and a rogue gallery of villains. And of course the
heroine, which is never Helen. But it doesn't get much better than Madhubala.
Anand and Madhubala worked together in eight films and have great playful
chemistry that in particular shows up in their songs together when she uses
her eyes to flirt, to joke, to be coy, to show diffidence. They have a couple
songs here in which I just watched her face go through an expression a second.
Anand said of her "the most beautiful of
all the heroines in the fairyland of films, with her natural looks, always
as fresh as a morning dew, sans heavy make-up, false eyelashes, contact lenses
or scanty dresses fashioned by designers to impart artificial glamour that
would titillate male curiosity. Her childlike innocence was accentuated by
the most noticeable trait of her character, her famous giggle." In this one
he gets the vast majority of time unfortunately as she is shunted a bit to
the side.
Counterfeit bills are being passed and
Inspector Dinesh is assigned to the case. Everything seems to lead to the
Shangra-la Hotel so Anand goes undercover and disguised as a rich Prince
he checks into the hotel. On the heels of the bad guys is also a reporter,
Renu (Madhubala), who also checks in. It takes one song for them to fall
in love and then she overhears him asking to buy phony bills and her world
comes crashing down. Don't worry Madhubala, it will work out fine. Not that
suspenseful or well-paced but it is saved by the score by O.P. Nayyar and
Raja Mehdi Ali Khan with singing by M. Rafi and Asha Bhosle. The film and
the music - 8 songs - were big hits. There is one section in which
there are three songs like freight cars on the track, one after the other
ready to go. All good.