Aulad
Director:
Vijay Sadanah
Year: 1986
Music: Laxmikant/ Pyarelal
Duration: 151 minutes
Rating: 5.5
The Happy
Ending came too early. This is like a ten layer cake of melodrama and tears.
It was a fairly big hit when it came out because Bollywood audiences enjoy
films that come with a package of Kleenex. Especially if it is about motherhood,
children and prayer and this film has no shame in piling it on with a shovel.
A bit much for my taste. I like a good weepie as much as any man but I would
have preferred the happy ending.
Devki (Sridevi with her eyes as big as
the moon) is a poor city girl living in a hovel with her sick father and
cruel stepmother who likes to smack her around. Bollywood loves mothers;
stepmothers not so much. To make some money for the family Devki dances and
sings in the town square playing coy with the men but she is a 100% good
girl. She dances on a car top and somehow manages to break the windshield.
The owner Anand (Jeetendra) catches her and wants her to pay. She offers
the 25 rupees she has made that day. He waves her off and drives away - but
we know that isn't the end of it because they are meant for one another -
and are the stars of the film. As life would have it, she breaks his windshield
again. He again drives off but drops his wallet fat with cash.
Meanwhile, Anand's uncle (Saeed Jaffrey
- A Passage to India, My Beautiful Launderette) has found a wife for Anand.
Anand freaks out and lies that he just got married. Sorry uncle I should
have told you. Of course, the uncle arrives to see his daughter-in-law and
Anand panics. Not sure why but the uncle seems to be very wealthy. And at
that moment guess who walks through the door to return the wallet. Anand
talks her into pretending to be his wife for three days. And she is perfect
because she is Sridevi - one of the truly kooky and personable Bollywood
actresses. Not really that attractive by my account but she overwhelms you
with charm. The uncle leaves, so does she, Anand misses her - I expected
him to break out into I've Grown Accustomed to Her Face. He goes looking
for her - finds her praying and tells her he loves her and wants to marry.
She agrees. Happy Ending. Wait a second, it is at the 45 minute mark. There
are two ours left. Oh hell, you know a sandstorm of shit is heading their
way.
To cut it shorter than the movie, they
have a baby son, make friends with another couple Yashoda (Jaya Prada) and
Vicky (Vinod Mehra) and she is pregnant. They both happen to be aboard a
train that crashes - Vicky dies, so seemingly does Devki, Anand held on to
the baby so it is ok and Yashoda is in a coma. She loses her child and goes
crazy and I am thinking, don't do it Anand. Bad idea. But does he listen
to me? Of course not. Nobody does. He gives her his son and tells her it
is hers Oye vey. Well if you have seen many Bollywood movies, you should
know where this is going and it does like a rocket targeted to the soft tissue
of your heart. My heart has grown harder with age and cynicism so this didn't
really penetrate. Let's just say that Solomon had an answer. This is the
sort of film filled with coincidences and contrivances that would send a
non-Bollywood fan screaming into the darkness. I was just happy to spend
some time with Sridevi.