Dhoom 3
Dhoom 3
Director: Vijay Krishna Acharya
Music: Pritam
Year: 2013
Duration: 172 minutes
One could perhaps
make an argument that the Dhoom series (Dhoom, 2004; Dhoom 2, 2006, Dhoom
3, 2013) has gingerly escorted Bollywood films into the 21st century with
their high production values, big budgets, impressive action and stunt sequences,
pounding dance numbers and an attitude that defies logic and gravity. It
could be called catching up to Hollywood. Now whether one thinks that is
necessarily a good thing or an evil thing is up to each individual, but there
is no escaping the fact that Dhoom 3 is more frantic and fun than a basket
full of kittens high on cocaine. Then go ahead and throw a plate of sardines
into the mix and look at the result. That would be Dhoom 3.
Dhoom 3 has a fairly nifty plot with
an after Intermission twist (that won’t be revealed in this review), some
good acting by everyone, a few rollicking musical numbers and for Bollywood
a very different location (Chicago), but the life blood of the film is the
exceptional technical skills shown in the action/stunt scenes and the seamless
editing that takes place in the second half (that involves the twist so
again I can’t say anymore). There are four lengthy and complicated
action sequences, three of which must have brought much of Chicago to a standstill.
Two of them are back to back to start the film off with a bang that echoes
throughout the movie like a starting gun. I read some reviews and reader
comments that sort of trashed the film for its absurdities which it no doubt
has like a case of the chicken pox, but who would go into a Dhoom film and
expect anything else. This isn’t Mother India. Or even Dil Chatha Hai. This
is Dhoom 3 and it embraces its over the top insanity and irrationality like
a proud mother hen ready to peck out your eyes.
As in the first two Dhoom films, this
one pits two cops, Jai Dixit (Abhishek Bachchan) and his comic relief partner,
Ali (Uday Chopra) against a master thief. In the first film they chased
after John Abraham and in the second they battled wits against Hrithik Roshan.
Those are two pretty big names in the business but in this one it goes for
even more juice by having the master criminal played by super star Aamir
Khan all buffed up and buffed out like a Stone Age idol on Easter Island.
It might seem an odd choice by Aamir who relishes making thought provoking
commercial films in which he has total control for showing up in such a ludicrous
pulp film – it would almost be the equivalent of having Meryl Streep jumping
head first into the Fast and Furious franchise – but by the end you can see
what attracted him to the role as it is an enormously physically demanding
one and in that mysterious second half he gets to show some perverse acting
chops. And of course he got to go to Chicago and maybe catch a Cub's game.
Aamir’s character Sahir is out to destroy
a bank in revenge for it having destroyed his father (Jackie Shroff) many
years previously. As usual bankers are portrayed as greedy, heartless and
basically bastards on every level (as an ex-banker of many years I would
only under severe torture admit that this is generally true). And Sahir is
out to bring The Western Bank of Chicago to its knees by robbing it of all
its money. The fact that banks actually have insurance and a very small
portion of its assets are held in cash is kind of scrubbed over. Interestingly
(or not) the film skips over the robberies themselves and focuses on the
escapes which turn into city wide chases on motorcycles, boats, helicopters
and lots of crashed police cars. The Chicago police find it necessary to
bring in two Mumbai cops, Jai and Ali, to sort this all out and to catch
the crook. It turns into a bit of a cat and mouse game in which in all truth
the mouse is much cleverer and more interesting than the cat. Throw into
this all ready fun mix an Indian Circus de Soleil that I would pay to see
and I hate circuses and the astonishingly lovely Katrina Kaif, who wows in
her few scenes and especially in a dance number that must have tested her
physical ability to the max (ok, so maybe she was doubled for some of that.
I don’t know). The film is great fun but again for the hard of reading, this
is not Mother India, it is Dhoom 3 so tread carefully.
My rating: 8.0