Director: Mohammad
Hossein Latifi
Year: 2004
Rating: 6.0
Country: Iran
The last thing I expected to come across was an
Iranian female oriented horror film post the 1979 Revolution but here you
go. There were quite a few trashy horror films before the Revolution but
due to all the religious aspects, the curtailing of women's rights and just
censorship in general there have not been many made in Iran while the rest
of the world has gone into and out of horror cycles. In fact, two of the
best known Farsi horror films were made by Iranian expats living outside
of Iran - A Girl Walks Home Alone at Night made in the USA and Under the
Shadow made in Syria. But to my surprise there have been a few - Zar (2017),
Fish & Cat (2013) - a slasher film - and in 1985 a film titled The Rings
which interestingly is about people getting phone calls to tell them when
they were going to die. There are a few TV shows that have elements of horror
and the supernatural in them though.
It covers some of the basic tropes of many of the girls in jeopardy horror
films made in the West. Five girls on their own, a mad hard to kill killer
out there somewhere and the girls acting stupidly. But there are major differences
as well - there is no virgin vs the tramp where you know the tramp will get
hers and the virgin survives - that is because all these girls are virgins
and not about to lose it. This is Iran and all Muslim women are of course
virgins till marriage. There is also very little graphic violence or clever
twisted deaths awaiting the girls - but there is a bit of onscreen bloodshed.
Mainly though what made this so different from a Western horror film is the
natural and loving social interactions between the girls, within their families
and between families - in a way this is the heart of the film and it would
have been quite enjoyable just on that level without the introduction of
horror which doesn't come until the second half. There is also the aspect
of the modern Iranian woman going on here - these are girls who leave their
families to go to university, wear a hijab but certainly not the chador and
are amusing, playful and smart. In the end of course going out on their own
has its issues - a killer. And perhaps a djinn.
Shirin (Negar Javaherian) and her best pal Roya (Baran Kosari) convince their
fathers to let them go off to university in a small mountain town 30 minutes
north of Tehran. Shirin's brother Farhad (Majid Salehi) who is goofily in
love with Roya drives them there, but they discover that the girl's dormitory
is being renovated so they are told to go stay in an apartment of a private
home. A very old creaky falling apart home with a huge hole in the ceiling.
There they make friends with three other girls and share food and laughs
- but wonder about the creepy empty house next door. Their landlady tells
them that the town's people think it is haunted by djinns - who eat your
shadows.
Djinns are mythical demons that have been around before Islam but were incorporated
into the religion and are mentioned in the Koran as well as The 1001 Nights.
They can be harmless or deadly - take on shapes or be invisible. They are
to be avoided though and the landlady thinks they might be responsible for
brides who have gone missing over the past years. Of course, Roya who has
the face of an angel but the heart of a warrior decides she needs to investigate
and this sets off the horror section of the film. It gets more tense than
you might expect though never close to terrifying. For someone looking for
horror, this will likely leave them a card short but I just enjoyed setting
it in a very different culture with family playing such a large role in it
and a tough girl who fights for her life without a man to help her in such
a patriarchal society. Well shot - low budget - and fine acting from the
two main actresses but in particular from the killer - he is brutally frightening
and menacing.