Secret Agent Fireball
 

Director: Luciano Martino
Year: 1965
Country: Italy
Rating: 6.0

Like any good spy, American Bob Fleming is about to get intimate with a curvy redhead when the phone rings. It is his boss with orders to come in. He bids the frustrated woman a "you had your chance" farewell. He has a liking for long tapered legs and pretty much anything in skirts. Two Russian scientists have defected with microfilm that the Russians are trying to retrieve by hook or by poisoned blow darts from a pipe. The boss tells him he has permission to kill but more importantly no limits on how much he can spend. You won't hear the US Government saying that very often.

 

Fleming is played by Richard Harrison in this Euro-Spy film. Harrison was another American who left for Europe very early on in his Hollywood career to appear in Peplum films. It seems like every American with pectoral muscles found their way over to Italy and then other genres. Harrison is especially interesting because he ended up doing all these Ninja and martial arts films for Godfrey Ho during the 1980s. By 1991 he was in a film titled Nudist Colony of the Dead. That I think was a sign that your career had seen better days. He begins in Paris where one of the defectors has been killed in a café with that pipe based weapon. Fleming has a few gadgets of his own - aspirin that when dissolved in your stomach allows you to track the person and a mini-laser beam. He and the Russkies continue to bump into each other wherever they are. Maybe they all took aspirins.

 

Next up is Hamburg, sin city of Germany with a Red Light district larger than most towns. Fleming and the Russians end up in a classy club mid-afternoon where women wrestle on stage and other well-dressed women sit at tables waiting for a phone call from another table. Discreet.  Then one more clue sends all of them off to Beirut, one of the favorite locations of Euro-Spy films for some reason - financial I expect but also a very cinematic city. In this one though they stay away from the usual historic spots and spend it in the streets or outside of Beirut. Two women show up - one a deadly blonde, the other a demure brunette. The film is fairly typical for one of these films but moves quickly, has a few good slugfests and has some interesting characters.