The Adventures of Tartu
                                                                                                                            

Director: Harold S, Bucquet
Year: 1943
Rating:
7.0
A fine piece of British propaganda in 1943. It took that to get Robert Donat back on the screen. Donat was always a reluctant film star and after winning the Academy Award for Best Actor in 1939 for Goodbye, Mr. Chips against the stiff competition of Olivier, Gable and Stewart, he took a break from film and focused on the stage. The two films he made during the war were both propaganda films, The Young Mr. Pitt (in which he gives a speech of Churchill's) and this film. He remained in England during the war often on stage in London.




This film begins during the London Blitz in 1940 and was shot in a real part of London after being bombed. He plays Captain Terrence Stevenson, a bomb defusal expert. In that Donat charming manner, he defuses a dropped bomb and also calms an injured boy and his nurse at the same time. He is called in for a mission. Take on the identity of Tartu, a man in the Romanian Iron Guard (a fascist group) who is dead, get into Czechoslovakia, infiltrate a chemical plant producing poison gas, learn the formula and blow up the plant. What could be easier.




But it is Donat and he is smoother than polished glass; transitioning from one personality to another to accomplish his mission. At one moment an oily Lothario, in the next a rigid Nazi doing Heil Hitlers and then deadly serious. It is a terrific performance from him. He settles into a house inhabited by a young female working in a bomb factory (the great Glynis Johns), a Nazi officer (Walter Rilla), an elderly landlady (Phyllis Morris) and an aristocratic Czech (Valerie Hobson). Rilla had been in the Communist Party in Germany and had escaped to England in 1936 and was to play Nazis multiple times in his career. Most of the characters are not quite what they seem. In an interesting twist, the Underground thinks they need to kill Tartu, not knowing who he really is. Some solid suspense as the Nazis close in on Donat, a romance of course thrown in there, but Donat commands the screen.