Seven Days in May Film Review
Seven Days in May
Director:
John Frankenheimer
Year: 1964
Rating: 8.0
This is one of the classic 1960's political thrillers.
Films suffused with Cold War paranoia like Fail Safe, Dr. Strangelove and
The Manchurian Candidate. Those felt a little fantastical but this one has
a black and white near documentary vérité feel to it. It crawls
in your stomach pounding to get out. Because it could happen here. Today.
Tomorrow. Much of it still feels relevant today. A divided nation between
the left and the far right. A media willing to push the agenda of the far
right. A President with dropping popularity. A fascist head of the military
who prizes loyalty more than anything. A yearning by many to ignore democratic
means and turn to a strong authoritarian leader. And possibly a coup in the
making. Not one by the military as in this film, but one abetted by the military.
If you feel like you have entered the Twilight Zone, that is perhaps because
the script for the film is from Rod Serling; based on the book by Fletcher
Knebel and Charles Bailey II.
It is a powerful film with a number of
outstanding performances from an ensemble of terrific lead and character
actors. Big names - Kirk Douglas, Burt Lancaster, Fredric March and Ava Gardner
- and smaller Edmund O'Brien, Martin Balsam, John Houseman, Walt Bissell.
All of them get their chance to shine with cutting, realistic dialogue. It
is directed by John Frankenheimer (The Manchurian Candidate) with a sense
of urgency and paces it like a horse race.
The USA has signed a nuclear disarmament
treaty with the Soviet Union. The military thinks it is suicide. General Scott
(Lancaster) seems modeled on General MacArthur who had wanted to nuke China
and made political speeches. He is fanatical and driven. Lancaster plays
him steely jawed and intense. His aide Colonel Jiggs Martin (Douglas) begins
to suspect that Scott who he greatly admires is plotting to overthrow the
government in seven days. All the pieces are in place and other senior generals
on board. Jiggs goes to the President (a superb March) and tells him his
concerns. Some wonderfully written and acted scenes. The one between Lancaster
and March is masterful but also great ones with Douglas and Gardner, Balsam
and Houseman, O'Brien and everyone. He was nominated for Best Supporting Actor.
Still, we believe that it can't happen here. We shall see.