White Zombie Film Review
White Zombie
Director: Halperin Brothers
Year: 1932
Rating: 6.5
This is considered to be the first full-feature
zombie film. It wasn't until 1929 when a play about voodoo came out and a
book about voodoo in Haiti was released that it became a popular subject.
This was an independent film produced and directed by the Halperin brothers.
It is reported to have been made for $50,000 but looks much better than that
because they shot it on the Universal lot and used many of their props and
sets. It is a shame that Universal didn't shoot it because it would have
fit in nicely with their other horror offerings. The wonderful spooky mansion
with the long staircase was already there. This was still pre-code and I
have my doubts if the horror aspects of this could have been made in another
two years. This has taken on some cult status over the years and in the 1970s
there were showings in which the female co-star of this appeared. I see that
this is out on Blu-ray now, but the copy I saw was right off of YouTube and
rather crummy. The film is admittedly slow and creaky as early talkies tended
to be, but still rather cool with some interesting choice of shots.
Much of the cult status has to do with Bela
Lugosi as the Voodoo Master. It might seem strange that Lugosi coming right
off of Dracula would take a job for a cheapie like this, but he was always
short of money. It took eleven days to film. He is terrific in this with
his patented Lugosi stare and his hairline looking like that of Eddie Munster.
Not that he has to do much more than stare and intone menacing pronouncements
in his accented voice. Most of the rest of the cast probably came cheap other
than Madge Bellamy who was a star of sorts at the time but quickly fading
out.
She has a tiny face with large eyes that
make her perfect for going into a trance for much of the film. She must have
been hell to live with as she had two marriages that both lasted less than
a year. One for four days as she refused to talk to her husband on their
honeymoon because he ate ham and eggs for breakfast. Much later in life,
she wrote an autobiography. Should have titled it Ham and Eggs for Breakfast.
The other cast member of note is Clarence Muse - he plays the black coach
driver wearing the top hat like the witch doctor does in Live and Let Die.
He had an all-around prominent career - appearing in the first all-black
film, Hearts in Dixie, was a theater producer in Harlem and wrote the wonderful
song When It's Sleepy Down South. He only gets a few minutes here but warns
the couple about the zombies.
A young couple are in Haiti to get married.
They have been invited by a wealthy landowner that she met on the boat to
get married at his mansion. As they drive along a voodoo ritual is taking
place in the middle of the road to a very nice piece of music written for
the film. Then they come across Murder Legendre (Lugosi) who stops the carriage
and gives them the stare and grabs her scarf. Behind him are his zombies.
The husband to be says jovially, I guess this wasn't a great introduction
to Haiti. Legendre has a sugar mill and uses zombies to work it. As he semi-jokingly
says, they don't mind the long hours. Probably no chance of striking either.
A capitalist's dream. Turns out that the owner who invited them is actually
madly in love with Bellamy and goes to Lugosi for a solution. No problem.
I will make it appear that she is dead, bury her and when the husband leaves,
I will bring her back to life. As a zombie. Except zombie's are pretty boring
as he finds out. Legendre has a group of former enemies that he turned into
zombies who now serve him and each is more gruesome than the next. He can
turn them into killers through his mind control. 67-minutes.