PJ
                                                             

Director: John Guillermin
Year: 1968
Rating: 7.0

I have a bunch of unseen George Peppard films that I always plan to get to but then say not tonight. Maybe tomorrow. Honestly, he is too good looking. Chiseled jaw with crystal clear blue eyes. And he knows it. I have trouble seeing him play anything but charming con men. So, I didn't expect much as a tough New York City private eye down to his last few bucks, but they surround him with some good mainly TV talent and a clever plot. And beat up his pretty face a few times.



A few decades earlier and in black and white, this would have been called noir. It has all the basics. A convoluted narrative, a wealthy bastard, a P.I. with ethics, a friendly bar tender and of course the femme fatale. It is directed by John Guillermin who was in the middle of directing three films in a row with Peppard; The Blue Max, this one and House of Cards. Peppard was a hot commodity at the time and all three of these are solid. This one is well-directed with some location shooting, good pacing and a few unexpected scenes. His cast besides Peppard was a heavy set Raymond Burr post Perry Mason and during Ironsides, Gayle Hunnicutt, Brock Peters, Wilfred Hyde-White, Herb Edelman and Susan St. James. A good acting cast, but not theatrical draws. And the film did mediocre business.



Burr plays a very wealthy business owner who the film quickly makes clear is the villain; a sociopath, cruel impulses and a cheap skate. Except when it comes to murder. An unseen, unheard person comes to his office by private elevator. Sits down and Burr offers this person $100,000 to kill someone. We don't know who. An interesting start to an intriguing mystery. Peppard meanwhile is hired to protect Burr's mistress played by Hunnicutt. She is gorgeous and so is he. You can put good money down that they will do the tango before the film is over. Someone is trying to kill her. A few times. Everyone in Burr's family including his wife wants her dead. I liked the nightclub party with two girls dancing in bikinis in a giant cocktail glass. Very 60s. And another very 60's scene is when he is suckered into a gay bar and all the patrons beat the hell out of him. Burr as the bad guy is a nice return to his days before Mason. His short white hair makes him look like an overweight Doc Savage. Constantly interesting.