Kaleidoscope
                                                         

Director: Jack Smight
Year: 1966
Rating: 7.0

This is one of those charming romantic heist-like films that had their moment of popularity back in the 1960s. Films like Gambit, How to Steal a Million, The Italian Job, $ (Dollars) and Oceans 11. Light on their feet and not to be taken too seriously. There was no violence in them and the ladies were lovely. The men too with Peter O'Toole, Michael Caine and the Rat Pack. And Warren Beatty who stars in this one with Susanna York. York was pop hot at the time - part of the London scene of Carnaby and Twiggy. Beatty was a legend in the making - Bonnie and Clyde cemented that the following year. York goes ditzy here and Beatty is bow-tie handsome with less substance than a stick of gum. They make a lovely couple and for all the conniving that goes on, that is what the film is really about. Two beautiful people.

 

Beatty is a playboy - wealthy through gambling and quick-witted with an eye for the ladies. He sees York pull the carburetor out of a truck of a rude driver and he is smitten and follows her. They mesh but he has to go off for business. His kind of business. Gambling in Monte Carlo. But he makes a stop first where he breaks into a player card manufacturer and tweaks the master enough so that he can tell which card is which. It gives him a slight advantage in playing Baccarat chemin-de-fer - Bond's favorite card game. He spots York watching people play and they carry on their affair between winning pots of money. They really are lovely people. Her very eccentric father (Clive Revill) it so happens works for Scotland Yard and has been looking for a professional gambler. He figures out what Beatty has been up to and blackmails him into one more job. Beat the biggest drug dealer in Europe in poker. Break him. Dominion as played by Eric Porter is right out of a guide for Bond villains with his Napoleonic complex, castle and a habit of burning alive his enemies. He doesn't like losing. It is a bit of a Bond want-to-be by way of Casino Royale even with the opening credits from Maurice Binder.