Warner Brothers
was still making gangster films in 1935, but public pressure, Decency Leagues
and the Production Code had forced the studio to switch things around. In
the earlier ones that put Warner's on the map with Cagney, Bogart and Robinson,
the gangsters were portrayed as social rebels, products of the Depression
- and though they usually got it by the end, they were the heroes of the
film - the kids wanted to be them - sociopaths or not. But now it is the
law that have become the heroes. Even the best of them all, Cagney was the
hero as an FBI Agent in G-Men. In this one the gangster is played by Ricardo
Cortez who portrays him as a calm business-like crook who doesn't get his
own hands dirty and has a good lawyer to keep him out of jail. No rough stuff
on his part. He has men for that.
Not that the lawman is much more exciting
as played by George Brent. But then Brent is never very exciting on the screen.
Very popular back in the 1930s, he comes across now as a lump of affable
clay. Not all that good or interesting looking. You would take him as a middle
manager in an insurance company. His co-star in this one and in over ten
films is Bette Davis who said his energy in real life never was transferred
to the screen. She had a crush on him in one of her earliest films, The Rich
are Always With Us (1932), but it was the leading lady Ruth Chatterton who
got him. She divorced her husband and married Brent the very next day. And
divorced him two years later. So, he had something going for himself. He
later married actress Constance Worth and that one lasted less than a year
and after that the wonderful Ann Sheridan and that marriage lasted exactly
one year. And somewhere in there he had an affair with Davis for two years.
Sounds like a man who had trouble keeping his zipper up.
With the Production Code taking the zip
out of gangster films, this is a dull affair. It is all talk and courtrooms.
There is not a lot of action. With Elliot Ness getting Al Capone on tax fraud,
a Federal agency has been set up to go after gangsters on tax evasion. One
of the agents is Brent who has a cover as a newsman and that seems to allow
him to get into the offices of the top gangster Carston (Cortez). His bookkeeper
is Davis, the only person he trusts. But she and Brent have something going
on. Like love. The film tries to put a soft excuse on the fact that Davis
works for a killer by saying, those were tough times and once you are in,
there is no getting out except feet first. Ya, ok. Weak beer.