If this
film moved along any faster, it would have won the Preakness. Crammed into
its 68-minutes it has enough for a mini-series. Bette Davis still wasn't
thrilled with the roles she was getting at Warners. She hated her role in
Fashions of 1934, was so unhappy on the set of Jimmy the Gent with Cagney
that he said it effected the shooting. He didn't know that she was having
issues in her marriage and was pregnant and was soon getting an abortion.
Now this film with director William Dieterle, who had helmed Fashions and
was to direct her a few more times in the future. This must have been a strange
one for Davis - she is the headliner which must have made her happy, but
she disappears halfway through the film. Never to reappear. Later she said,
she enjoyed being in the film.
She has a great role playing the bad seed
to a wealthy financier. She is a party girl who doesn't think twice about
manipulating men and getting involved in crime. "You'll take it and like
it", she spits out to one man in her life. Her father says to her, "You have
your mother's qualities, unstable, violent, a rotten heritage". To which
she rolls her eyes and gives him a screw you look. We first come across Davis
in a nightclub, popping balloons which everyone takes for shots and ducks.
She is with her fiancé played by Lyle Talbot and her half-sister played
by Margaret Lindsay. Three reporters are at the bar playing games - one of
which is blowing an egg in a shot glass and turning it over. Later they play
a game of slapping one of them on the bottom and he has to guess who it was.
That must have been fun in 1934. But it is a nice group of Donald Woods,
Hugh Herbert and William Demarest. Talbot is a sourpuss and wants to leave
while the rest of the people in the club are thrilled to see her after an
absence. The half-sister says, she has turned a new leaf over. Well, not
exactly.
She takes custody of some stolen bonds from
the nightclub owner (Irving Pichel- who was becoming a fine director - The
Most Dangerous Game, She, Destination Moon) and later in her room when she
counts up to $250,000 she is nearly orgasmic. This is how she gets her thrills.
She is using Talbot to launder them and has him under control - but then
she meets her real lover. Douglass Dumbrille. What the hell. I was believing
this film, but Bette Davis in love with Dumbrille? That is like a purring
cat falling for a porcupine. And he tells her that he is no longer in love
with her. "You have been using me?". "Just like you are using your fiancé."
Stuffed into this is murder, a kidnapping, unethical newsmen, a romance,
a suicide, an undercover cop and a big chase through the streets of San Francisco.
It flies by.