If I hadn't
already seen about twenty Zatoichi films and the Crimson Bat series, I might
have found the idea of this film preposterous, but I am well versed in the
world of blind swordsmen/women and nothing surprises me. I expect that every
blind person I come across on the street, could kill me at a moment's notice.
Sadly, America was not ready in 1989 for such a thing and it did not do well
at the box-office. Now after Daredevil and more exposure to Japanese and
Hong Kong films, this would probably be more welcomed. I was assuming that
this was just a rip-off of Zatoichi but to my surprise the film credits that
great series by making this an official re-make of Zatoichi's 17th film,
Zatoichi Challenged. The final Zatoichi film was produced in this same year.
Too bad they didn't give Shintaro Katsu a cameo as they do for Sho Kosugi.
Zatoichi Challenged was a pretty good film
though of the twenty-six films comprising the series, I wonder why they picked
that one. In that Zatoichi film, he is saddled with a brat when the child's
mother dies - and the child in this one is just as annoying. Credit
must go to actor Tim Matheson who was a Zatoichi fan and produced this and
didn't even give himself a part. Instead, he turns over the main role to
the great Rutger Hauer who does a fine job. My only complaint other than
the annoying child is that if this were made today, it would be much more
violent. Not that I am bloodthirsty, but Zatoichi killed dozens in his films.
Definitely America was not ready for that. Though the final slicing in half
of one of the men feels pretty rad for the time.
Parker lost his sight in the Vietnam war,
but was found by a primitive tribe who sort of adopt him and teach him how
to slice fruit thrown in the air by the sound. Zatoichi would be proud. It
might have been fun if he had killed a bunch of Viet Congs, but the film
jumps 20-year ahead and he is in Florida where scumbags go to reside. He
shows his skills by beating up four very surprised ruffians messing with
a woman. But he is in search of his friend from Vietnam, who ran like hell
when the shooting began. Instead, he locates his wife (Meg Foster of the
weird eyes) and their son. They are divorced and he is living in Reno. Hanging
upside down over the edge from a tall building. His friend Frank (Terry O'Quinn)
is being gently persuaded to help these guys make drugs with his chemistry
skills.
For some crazy reason, he refuses, so they
come for the wife and child and Parker happens to be there when they come
barging in and shoot the wife. With a couple hands less in a short while
though the big thug (Randall "Tex' Cobb) gets away and vows revenge. The
mother is killed but before dying makes Parker promise to take the boy to
his father. Across America in a bus. Pure torture. Fortunately, they get
off and the first set-piece takes place in a corn field with a group of well-armed
men chasing the boy. Hard to be quiet in a corn field. This is one situation
where there could have been a lot more casualties - I think they keep it
to three or four.
In another nod to Zatoichi, they make it
to Reno and Parker is playing the roulette wheel and winning though not sure
how hearing helps much in that game. Zatoichi could do it with dice by hearing
them in the cup. A fine finale up in a ski lodge at the top of a mountain
where they are waiting for him. Including Sho. Terrific film. Surprised I
had never heard of this till I saw a review on Letterbox. Now, I may need
to watch a Zatoichi film. I think I am up to number 19. This is directed
by Phillip Noyce in his first American film.