The Scala film
theater in Bangkok continued its tribute to the King with its program of
Hollywood classics today with the 1960 Spartacus. I had forgotten what an
immensely good film it was with a lovely mix of the epic and the intimate;
the slave revolt and Roman politics. And what a cast with Kirk Douglas, Lawrence
Olivier, Tony Curtis, Charles Laughton, Jean Simmons and Peter Ustinov all
eating up the dialogue as if their lives depended on it. Watching them perform
together and play off each other is a delight. An old-fashioned epic before
the advent of CGI.
It is sort of amazing that Kubrick got to
direct such a huge film that must have cost zillions in today's money. These
are the days before CGI extras and the film is loaded with them. Up till
then Kubrick had only directed 4 films - three small ones that no one knew
about and an anti-war film titled Paths of Glory. But Kubrick only got the
job when the director Anthony Mann, who had made some great Westerns, sort
of lost it after a week of filming. Douglas who was the Executive Producer
and the shot caller on this film, had worked with Kubrick on Paths of Glory
and called him in. All the cinephiles say Spartacus doesn't have the Kubrick
touch which must be true since later he distanced himself from the film because
he felt like he was just a hired hand on it - but he does a glorious job
of capturing landscapes and faces and a mounting feeling of fatalism.
Douglas also brought in Dalton Trumbo to
write the script. It is brilliant for a film of this sort exploring the themes
of freedom, democracy, corruption and dictatorship - things we are still
wrestling with today. Trumbo had been blacklisted since 1947 when he was
sentenced to a year in prison for refusing to answer questions before the
UnAmerican Committee - part of a group of writers who came to be called the
Hollywood 10. In exile he wrote scripts under pseudonyms - Roman Holiday
being one. In a courageous act Douglas hired him and insisted that his name
go on the credits. It was very controversial and may be the reason it was
not nominated for Best Picture (The Apartment), Best Director (Billy Wilder
for the Apartment), Best Actor (Burt Lancaster - Elmer Gantry), Best Actress
(Elizabeth Taylor - Butterfield 8) or Best Script (Richard Brooks - Elmer
Gantry). Ustinov won for Supporting Actor. John Kennedy though crossed a
protest line to see the film and gave it accolades. It was a huge hit and
is now considered a great film, After this the blacklisted writers, directors
and actors began to come back to Hollywood. I am Spartacus in a time of public
cowardice resonates today more than ever. This is a magnificent film.
The Scala has since been shut own since
I wrote this review.