Tom Waits is a national treasure. He should be
our Poet Laureate. Frost and Warren were great but Waits speaks to the real
world. None of this fences and the road not taken. He talks about winos,
broken bottles and broken faith. His music is a mix of blues, jazz and despair.
With a voice that sounds like it has never slept and has spent much of its
life in a smoky gin joint where the music was loud and the conversations
louder. Where men huddled with women and didn't have enough money left to
take a taxi home. He grew up in a middle-class family in California but somewhere
along the line he fell into Steinbeck's Cannery Row and slipped into a 1940s
black and white noir murder mystery with femme fatales and gunsels on every
corner. He is a modern troubadour, spinning stories, creating characters
who have less of a future than the Edsel and women who love all the wrong
men and never find redemption.
His voice takes some getting used to like
eating raw onions. My girlfriend walked by as I was watching this and wondered
if he was ok. I said that's how he sings and then she wondered if something
was wrong with me. Well, I am in fact tone deaf and in college was told to
drop out of a Music Appreciation class by the professor. Maybe that is why
I love Leonard Cohen, Dylan and Waits. This film is a performance of sorts
by Waits for 80-minutes. Mainly his singing in concert but very theatrical
and little snips shot for the camera to throw in. I wasn't familiar with
these songs - I loved his first three albums but have not stayed up with
him. This is great if Waits is to your taste. I asked my gf to sit down and
watch and she froze me in place with one look that said no, thanks. I would
rather pound my head against the wall. It would be less painful.