"Romance? Me? I don't have time". Love "is a
career in itself. Takes too much time and energy. To me a woman in love is
a pathetic spectacle. She is either so miserable that she wants to die or
she is so happy, you want to die. A long time ago, I decided to travel the
same open road that men travel. I'd rather have a canary".
The first forty-minutes of this one-hour
film is quite marvelous, sexy and amusing until it collapses into humdrum
convention. It is Pre-Code and shows it in many ways. Not only with its feminist
point of view but also with its sexual openness. For audiences back then
it must have felt quite novel and revolutionary - but of course they lose
that provocative stance by the end which has many reviewers written today
upset. Get over it. This was 1933. What did people expect? The main character
Miss Drake is played by Ruth Chatterton who is mainly forgotten these days
but was very popular for a series of strong female roles in the early 1930s.
She was a good choice - in her private life she was one of the few female
aviators in the country and good friends with Amelia Earhart. When her roles
began to lessen by the late 1930s because she was past forty, she just quit
the movies, went back to the theater and became a successful novelist. She
is perfect for this role.
She runs an automobile manufacturing company
that she inherited from her father. It is her life as she rapid-fire makes
decisions and gives orders and shoots down any man who she takes a disdain
for. It is a marvelous scene of her in the middle of a hectic day. Then at
night, she turns into a seductress looking for one-nighters with young handsome
men from the office. Why don't you come to my house around seven and I will
take a look at your plans. She presses the buzzer for vodka and her butler
(Robert Grieg - always seems to play a butler) brings it so that she can
warm up her prey. She throws down the cushion on the floor and tells him,
join me. And gives them a look that is purely carnal in nature.
Nothing is shown, but it leaves no doubt
what happens afterwards on those pillows. Men being the silly creatures they
are of course think it's serious and the next thing they know, they are being
transferred to Montreal or Paris. Men throw proposals and compliments at
her like they are in fashion this year and she just walks away. Until she
meets George Brent, an engineer in the company who will take no guff from
her. Brent was actually her husband at the time of filming, but not for much
longer. Once Brent comes into the film, it is like they let the helium out
of the balloon. But it was so much fun till then.