My guess
is that when there are Lifetime Tributes to Clint Eastwood, this film is
passed over as quietly as possible. On the other hand, if Bernadette Kewpie
Doll Peters ever has a career tribute, this might get a lot of play. Especially
her dramatic recitation of when her baby was born. Must have had the audience
in tears. Of laughter. No, that is cruel. I have liked Peters forever but
that was such a corny - let her have her moment scene that was pointless.
In a film like this that runs over two-hours, editing out about 30-minutes
of this would have been merciful. This isn't a terrible film - just an overly
long ordinary one and Eastwood should never be ordinary. His role could have
been played by any tough but kind looking actor. Eastwood had a weakness
for on occasion mixing things up and appearing in lame comedies - Every Which
Way But Loose and Any Which Way You Can come to mind. The thing is that those
did well at the box-office. One of the great mysteries of life. The director
of this film, Buddy Van Horn, only helmed three films in his career - all
Clint Eastwood films with Any Which Way being one of them. Horn was a stuntman
- often doubling for Eastwood - and I expect Eastwood was returning the favor.
Eastwood plays Nowak, a legendary skip tracer.
He brings in his man with a party hat of tricks and disguises. And the punch
in the face if needed. The latest assignment that he accepts is a woman who
has skipped out on her $25,000 bail bond. In a pink Cadillac that makes finding
her fairly easy - even in Reno. Lou Ann (Peters) is running away from her
loser husband who refused to come forward to take the blame for counterfeit
money found in their trailer. Peters being the wife of trailer trash is the
hardest thing to believe in the film. The husband and his low-life amphetamine
taking friends belong to a White Supremacist militia that is getting ready
for the Uprising when they can wipe out blacks, Jews, immigrants. In other
words, Trump supporters. They don't call themselves MAGA but that is only
because they came before the scourge did.
When Lou Ann goes on the run, she takes
her husband's pink Cadillac not knowing that it has $250,000 of money that
the militia plans on using for weapons. They spend most of their time practicing
firing on cut-outs of police officers. Lou Ann thinks the money is counterfeit
and goes off to Reno hoping to make a killing at the dice table. Nowak finds
her in about five minutes and goes all soft. I mean who wouldn't. Peters
and her curls. Well, not soft so much as soft-hearted. The militia comes
after her as well. The film uncomfortably tries to meander between drama,
action and comedy - but there is nothing funny about white racists - even
dumb-ass ones like this. Maybe in 1989 they were. Not now. By the way, when
they go into a Reno lounge that is Jim Carrey performing on stage - doing
his short-arm routine. Five years before Ace Ventura. There are a lot of
Eastman's films that I have never gotten around to and I have been slowly
catching up. With Eastwood, you have to take the bad with the good.