Good Girls Go to Paris
                                                                                                     
    
Director: Alexander Hall
Year:
1939
Rating: 7.0

Joan Blondell has four men wanting to marry her by the end of this Depression screwball gold-digging comedy. And she deserves each one of them. When she was at Warners, she usually teamed up with Glenda Farrell in their search for a rich man but she left Warners in 1939 and this was produced by Columbia. It doesn't seem the same without character actors like Guy Kibbee, Alan Jenkins and Hugh Herbert and directed by Ray Enright. This could have used some of those folks as it is definitely lacking in comical character actors. Blondell has to carry the whole show with some help from Walter Connolly as the rich old geezer with a greedy family. Melvyn Douglas again feels suitably light on his feet as the male lead but has no pizzazz. He never does. If you can't get Cary Grant, ask for Douglas.


 
He plays a visiting professor of Greek mythology from London - without an English accent - because Douglas was born in Georgia. The studio had been trying to get Charles Boyer and Jean Arthur for the two leads but they both dropped out. Arthur was in her glory days with Mr. Deeds Goes to Town, Easy Money and Mr. Smith Goes to Washington so I imagine she thought this wasn't really up to snuff. She would have eaten up the role though. Screwball was her forte. And Blondell's as well. At the school cafeteria Douglas meets the smart talking Blondell who is his waitress. They become buddies with him giving her advice. She tells him her plan. To go to Paris. How? By getting one of the students with a rich daddy to propose to her and then be bought off by dad. And go to Paris on that money. Sounds like a plan to me.

 

It nearly works but it doesn't and she has to leave town in a hurry. On the train she meets Tom (Alan Curtis), the grandson of a zillionaire. After a night on the town she takes him to his house in a drunken stupor and then lies and whirling confusion lead to the screwball part. Some of it is quite humorous. Turns out that Tom's sister is engaged to the Professor. But in love with the butler's son. When the Professor shows up for the wedding, I would have had to re-think my entire life if it didn't go exactly as everyone would expect. A sweet big-eyed bauble with Blondell stealing the show.

Douglas "Isn't it possible for you to tell the truth?"

Blondell "No, but I wish you would believe me".