The Reptile
                                                                    
    
Director: John Gilling
Year:
1966
Rating: 7.0

The English countryside can seem so tranquil, lush fields of green dotted with small charming villages and the quaint pub that is the meeting place for the village folks. Except in the world of Hammer of course. In these films it is full of danger with monsters and killers in the shadows, where isolation doesn't protect you, but makes you a target. Where things creep in the night and the village idiots show up on your doorstep. Where strangers are treated with suspicion and avoided. Where murders are not talked about. Back to back, director John Gilling made use of this heavy atmosphere to produce Plague of the Zombies and The Reptile in 1966. In fact, he utilizes the same sets of the village and graveyard. Both films center around a series of unexplained deaths that the village people don't want to talk about. And then a stranger shows up and that changes the dynamic.



Among all the Frankenstein, Dracula and Mummy films this one is often overlooked but it is highly effective as a horror film right from the beginning. It has always stuck in my mind because of the central photo of a reptilian creature about to take a bite out of a pretty woman, but this was the first time watching it. There is a sense of dread and mystery that hangs over it like a death shroud and when the reptile finally shows up for the first time at about the one-hour mark it is a shock and horrifically repellant. The origin of the monster came as a surprise to me. A sock out of right field. The film is clearly made on the cheap - as I said using the same sets as Plague but also with a group of mainly unknown actors; most with faces I didn't even recognize from other Hammer films. With the exception of course of regular Michael Ripper with a larger role than usual and Jacqueline Pearce who had also been in Plague. But all the film needs for chills is darkness, deaths and being in places you should not be as the camera silently follows you.



In the opening scene Charles Spalding gets a note at his home and runs over to the house of his neighbor Dr. Franklyn (Noel Willman) where he is killed by an unseen assailant. It turns out that he is not the first. They call it the Black Death and people's faces become molted and greenish. His brother Harry (Ray Barrett) and his wife Valerie (Jennifer Daniel) come to live in the dead brother's house. People immediately warn them to leave but do people in movies ever do that. I would be gone in a second. Especially after a man came into my home dying with foam coming out of his mouth. Dr. Franklyn says it is epilepsy but his color is green. The good doctor has a daughter (Pearce) who says her father is not as mean as he appears but is very protective of her. She plays a nice sitar that drives her father crazy.



The only person willing to help Harry is the inn keeper (Ripper). Whenever Spalding goes into the inn, literally everyone gets up and leaves. You are great for my business says the owner. They notice that the dead man has two bite marks on his neck. So off to the graveyard they go to do a little nighttime digging. More bite marks. And then Spalding gets a note to go over to the neighborhood's home in the middle of the night. Sure, why not. No trips to the English countryside for me thanks.