The Vengeance of Fu Manchu
                    

Director: Jeremy Summers
Year: 1967
Rating:
6.0

Say what bad things you want to about Fu Manchu. Sure he wants world domination, blows up cities, kidnaps nubile daughters of scientists, throws victims into snake pits and always seems to have some people hanging in the courtyard but he is a hell of a good father. He strongly believes in Bring Your Daughter to Work Day. And gives her some responsibilities. In the beginning of this film four men who resisted Fu Manchu are brought before him for their punishment. He generously and fatherly tells Lin Tang (Tsai Chin) you chose their fate. Oh thank you daddy. Let's see. This one should be strangled and is before her eyes. The next one annoys her more and she has him beheaded. The next she hypnotizes into killing the fourth man. But she has further devious plans for that third man.



These Christopher Lee Fu Manchu films are good fun so far. This being the third. Though from 60 years in the future you wish they had been a lot more exploitive, perverse and violent. The Chinese location shooting in this film was done with the co-operation of Shaw Studios and it makes you wish they had handed over the directorial reins to Chang Cheh. It would have been cool to see Nayland Smith litter the ground with dead bodies ala Jimmy Wang-yu. Even Lo Wei would have spiced it up some. Certainly Fu Manchu's castle would have had better décor. Smith is played for the second time by Douglas Wilmer who was at the time most famous for his Sherlock Holmes in a TV series that ran from 1964 to 1965. His profile is certainly Sherlockian but his acting is understated to a fault. At one point in the film Nayland is replaced by a lookalike  - that third man - who is somnambulant through hypnosis and it is hard to tell the difference.



Fu Manchu isolated in his castle deep in China has come up with another dastardly plan. Replace all the police chiefs in Europe with hypnotized men who have been surgically made to look like them. Have them kill someone and be executed. And kidnap the real chiefs, bring them to his castle by freighter and execute them on the same day as the man in Europe. Hmmm. I see a few flaws in that plan to dominate the world. Kind of slow and people may notice that the same thing is happening all over Europe. And won't the chiefs just be replaced? Not sure how this leads to world domination but if Fu Manchu says so, I have to believe. Meanwhile, crime is going global and the American crime families are organizing crime all over the world to be led not by an American, but by Fu Manchu. In the middle of China.  He is hooked up to receive news though it first has to be inscribed on Chinese scrolls for Fu to read. Seems to be an unnecessary step and leaves room for error.



There are some nice bits in the film though not as outlandish as I would have liked. Torture? Check. Kidnapping? Check. Burn a village down for no reason? Check. Capture Nayland Smith? Check. Nayland Smith escapes and foils his plans? Check. All good stuff but best is Maria Rohm looking like a million bucks with diamonds on top. She is part of the gang though she gets stuck in a nightclub in Shanghai as a singer. My guess is that the men who are there are not really there for the entertainment but for the lovely ladies that stand about. For conversation. Most are sailors and it has been a while since they got to talk to a woman. With her bright blond hair, stunning well lit face and décolletage, she stands out over everyone. Except Fu Manchu. Everybody ends up at the castle except Smith's companion Petrie who has been left behind in London wondering why that Nayland Smith doesn't talk to him. Interesting that the concept of the Yellow Peril came back in the 1960's with these film just as America was entering into Vietnam. The way things are going these days - enmity with China and the covid outbreak and anti-Asian prejudice that produced, I am glad that at least there has been no return of Fu Manchu.