Sweet and Low-Down
                 

Director: Archie Mayo
Year: 1944
Rating:
6.0

Benny Goodman the King of Swing was one of the good guys of jazz, He was the first band leader to integrate by hiring Teddy Wilson, Lionel Hampton and Charlie Christian into his band. He did it all - big band, trios, quartets and even classical music. His concert at Carnegie Hall in 1937 is considered a landmark in bringing public recognition to jazz. But he was notorious for being very tough and demanding on his band. Which makes this film a real soft sell to make him into a sweetheart. He comes off as a near Saint in this one.

 

But you mainly come to this for the music and there is a lot of it squeezed into this 76 minute film. It has a plot which isn't bad for these sorts of films but it is the music. In most of these films with big name band leaders they are not much more than cameos but Goodman has a large role in this one as himself. The main lead though was James Cardwell who had just impressed in his debut, The Fighting Sullivans. Fox had hopes that he would be the next John Garfield, a tough working class actor with an attitude. But it never clicked - his film after this was a Charlie Chan film and then a Whistler film. Soon he was falling into the uncredited bucket. He killed himself in 1954 at 32 years old. Sad because he is solid in this as a guy from the lower class with a big chip on his shoulder and a hair-trigger temper.

 

They surround him with some lovely talent - Lynn Bari and Linda Darnell. That is a lot of sleekness and great bone structure in one place. Through circumstances, Goodman and his manager played by Jackie Oakie hear Cardwell playing the trombone in his room. He is from a lower working class family with a mom and two young siblings. Goodman likes what he hears and hires him on the spot. They go on tour and Lynn Bari is the singer in the band (dubbed by Lorraine Elliot).  Barrie gulps up young handsome members of the band and eventually spits them out. Cardwell is fresh meat and an easy target. He also gets the come-ons from good girl Linda Darnell. Lucky guy but it goes to his head and he decides to form his own band. How does that go? Sadly, like his film career. Cardwell's trombone playing was dubbed by Bill Harris, one of the best in the Swing Years.