"Oh, not the Yellow Peril
again", Dr. Petrie mockingly says to Nayland Smith after Smith once again
speaks of a Crime Lord using Asians. Yes, Dr. Petrie. The Yellow Peril is
back. At the end of these Fu Manchu films starring Christopher Lee the vanquished
Chinese mastermind always proclaims that "The world shall hear from me again".
But will it? Can he return? Nayland Smith could not kill him, but times and
political correctness perhaps has. Fu Manchu and Charlie Chan are both residing
restlessly in Limbo - between heaven and hell waiting for redemption, a second
chance. I would argue that Charlie Chan deserves better; Fu Manchu perhaps
not. Even an Asian playing him would be questionable. These five Fu Manchu
films from 1965 - 1969 are really not that good, but there is something about
them that I find irresistible. The fiendishly diabolical plots to take over
the world, the hidden lairs, the brainwashed fanatical followers in their
black outfits and red bandanas in order to be indiscreet, the beautiful women
in their cheongsams, the clever assassination attempts, the imaginative malicious
ways to kill his prisoners or betrayers, routine torture, the sadistic daughter,
the stalwart Nayland Smith of Scotland Yard and his boy-toy Petrie always
watching and the evil genius of Fu Manchu in his Mandarin get-up with his
sharp metal fingernail guard, the famous drooping moustache, the commanding
presence and his abject cruelty to those around him who fail. It is a delicious
stew of pure pop pulp that never grows old.
The film begins in grand fashion with Fu Manchu being executed in China and
his head gently rolling into a basket like a piece of fruit off a tree to
be served at dinner as Nayland Smith looks on. Back in London though he begins
to hear of things - quiet rumors, whispers in back alleys - or the strangulation
with a Tibetan prayer cloth with a coin of Kali attached - that begin to
make him suspect that Manchu is alive and well. Of course he is and is up
to his usual evil deeds of kidnapping, murder and world domination. The film
has echoes of being a German Krimi with its outlandish plot and Joachim Fuchsberger
and Karin Dor in it. Joachim is the assistant and Karin the daughter of a
scientist who has been kidnapped and has invented a gas formula that can
kill everyone in London with some Tibetan seeds.
Joachim and Nayland go to visit a supplier and the receptionist is a lovely
polite Chinese woman in glasses with her hair up in a bun. Nayland "I have
seen her somewhere before. I can't remember where". Can't remember! What
the hell. That is Tsai Chin! She plays the daughter of Fu Manchu is all five
films. How could you forget her. After he leaves, she haughtily takes
off her glasses and undoes her hair in a sweeping gesture as if to say, Nayland
you fool. I was right in front of you. Look at me now. Am I not all woman.
Later she has a lovely little girl moment when she is about to whip a woman
and dad stops her. "But you promised" she pouts. Well, he kills the girl
and lets her watch with glee. Father knows best.
This first in the Fu Manchu films is directed by Don Sharp as was the next
one The Brides of of Fu Manchu, which if memory serves me are the two best
in the series. The always great Nigel Greene is Nayland Smith and he
plays him just right - serious without a hint of humor. Unfortunately, this
role was to go to others less worthy. Petrie is Howard Marion-Crawford who
had lots of practice playing the loyal British to the bone friend as Watson
in the Sherlock Holmes TV series in the 1950s. This is good fun but
sedate if compared to the spy films that were becoming popular at the same
time. Dr. No, From Russia with Love and Goldfinger had already come out and
this is a good step below those in ambition and imagination. But Fu Manchu
in earlier iterations and books had created the figure of the mad genius
who wants to take over the world. He will be back. Just not in the movies.