Island of Lost Souls

 

Director: Erle C. Kenton
Year: 1932
Rating: 7.5

H.G. Wells is such a remarkable writer. His books are entertaining and thought provoking about the risks of science, mankind, the future (and to our benefit rather short reads). The film adaptations that I have seen never quite capture the manic intensity in some of his scenes. The Invisible Man as he desperately tries to escape, the shock of realizing the Morlocks eat the natives for nourishment in The Time Machine, the hopelessness of living in The War of the Worlds and in this one The Island of Dr. Moreau when the man-beasts go mad. This captures that moment fairly well - a little less savage and much shorter but they have the spirit of it. There have been a few high profile adaptations of the book which I have not seen and a few silent foreign versions but this is the first talkie of it and it is damn good. The make-up that creates the man-beasts is wonderful - something between both species -  faces distorted and frightening - the looks depending on what the species was before Dr. Moreau worked his magic. Charles Laughton does insane better than anyone - he never overplays it - but the looks that cross his face with its peculiar facial hair for only a second are just perfect - sly, cruel, mischievous, charming, childlike - but always on the edge of madness in the gleam of his eyes. And of course the Panther Woman steals the show.



There are no women in the book but like the 39 Steps they feel the need to introduce two of them into the story. And it works. Edward (Richard Arlen) is on a bad streak of luck. His ship goes down but after a few days on a lifeboat he is rescued. He finds himself with Montgomery (Arthur Hohl) who is transporting various animals to a small remote island. Edward gets into a fight with the captain and kicked off the boat when Montgomery lands. As they make their way to the home of Moreau he can't help but notice odd looking creatures standing on their feet in the jungle spying on him and making guttural sounds. Moreau is very hospitable and introduces him to Lola (Kathleen Burke) with her exotic sleek looks and halting English.



Edward soon realizes what Moreau is up to - turning animals into something close to human in what he calls The House of Pain - with the ability to think and speak. He is their God and sets down the Law with his whip. The main law being We are Men and Men do not Shed blood. They chant this in their meetings led by the Sayer of the Law - a barely recognizable Bela Lugosi with his thick facial hair. Edward has a girl waiting for him at home but Lola enchants him as she gives her affections and effortlessly falls into his arms. He kisses her and then he sees her hands. The film only runs 70 minutes and is a blast. Especially when the man-beasts decide they don't like the Law so much. It was a bit shocking for its time and was banned in many places. In 14 states it was banned for Moreau's theory of evolution and calling himself a God. It was banned in England for its cruelty to animals (which is weird since they are all played by humans). Wells apparently hated it and was happy to see England ban it. Probably due to the women but his book has a very depressing aftermath - Edward does not go home to a woman but to alienation and loneliness.  



Its main weakness is a lackluster performance from Richard Arlen as Edward. Of course, next to Laughton everyone seemed that way and he liked it that way - a man of enormous ego and fragility. An interesting story on how Arlen got into show business. He was a messenger and when delivering something to Paramount he crashed and broke his leg. He literally broke into show business because as he was laid up they noticed that he was quite good looking and after a few small roles he co-starred in Wings in 1927 and it was a huge hit. But that was pretty much the high point of his career. I have no idea why Lugosi took this role - it is fairly small though he has a few choice moments towards the end. And Laughton was burnishing his credentials into becoming one of the great actors of the age. Before this he played Emperor Nero in The Sign of the Cross which must have been good practice for this film.